Jennifer T. Robertsová sa zameriava na antidemokratickú tradíciu v západnom myslení, ktorú skúma prostredníctvom klasických textov. Jej práca sa zaoberá históriou myšlienok a analyzuje, ako boli v priebehu stáročí kritizované a reinterpretované demokratické princípy. Robertsová prináša hlboký vhľad do intelektuálnych koreňov západnej politickej filozofie. Jej akademická expertíza je založená na starostlivej analýze kľúčových antických autorov a ich vplyvu na súčasné myslenie.
Featuring a collection of illustrations, this book includes a tipped-in sheet that provides insights into the artists and authors involved. The unnumbered page showcases vibrant color artwork, enhancing the reader's experience and understanding of the creative contributions. Ideal for art enthusiasts, it offers a glimpse into the collaborative efforts behind the work.
Centering on The Dutch Wives , a double-panel encaustic-and-newsprint painting in the artist’s signature “crosshatch” motif, this catalogue explores the impact of print on the work of Jasper Johns. The two panels are imperfect duplicates of each other, thus evoking issues of replication that are native to reproductive media. The book examines “print” and “the press” in terms not only of printmaking and Johns’s celebrated experiments in that medium, but also in informational terms, tracing Johns’s frequent use of newsprint and its material, temporal, political, and formal implications. The publication also features prints and drawings by Johns that help demonstrate the aspects of printmaking that inform his entire oeuvre: repetition, reversal, indexicality, layering, sequencing, and topology. Exhibition schedule: Harvard Art Museums, Cambridge, Massachusetts, opening May 2012