Originally published in 1874, this reprint offers a glimpse into the historical context and themes of its time. The book captures the essence of its era through its narrative style and character development, providing readers with a rich, authentic experience of the period. Its enduring relevance and unique perspective make it a valuable addition to any collection, appealing to both history enthusiasts and literary scholars alike.
Your subconscious mind is your personal servant for as long as you live. Always prepared and ready. Always standing by to serve only you and only at your command. Your imagination, limitless in its scope, proves that nothing is impossible when combined.The combination of these two entities under your control is more powerful than any other combination constructively or destructively, known to mankind, and when you fully understand this and recognize the power you alone hold as an individual, then you alone must know that this power must never be left to chance. Humanity as we know it, would never survive in the hands of evil or be more welcomed in the hands of the responsible and moral. - Robert Edgar
The latest in the Ohio Short Histories of Africa series, Josie Mpama/Palmer: Get Up and Get Moving tells the story of Josie Mpama/Palmer's activism and political legacy in South Africa and around the world.
The book is regarded as a significant literary work, valued by scholars and academicians for its contributions to knowledge. It is presented in its original form, preserving any marks from the first publication to maintain its authenticity and true nature. This approach ensures that future generations can appreciate and learn from its historical context and literary significance.
Develop the critical and creative skills to 'translate' a story from page to screen with this step-by-step guide to the process of screen adaptation you'll learn to: - interrogate a novel or short story to release its 'inner film' - convert fictional prose into visual drama - overcome the obstacles presented by different media 'languages' - approach key strategic decisions - both technical and interpretive - draft and re-draft your plot, characters and dialogue - professionally format and submit your finished script In addition to examples taken from 'literary classics', contemporary novels, genre fiction, short stories, and biographical material, Marland and Edgar embrace the wider phenomenon of re-telling and updating existing stories, such as the 'appropriation' of popular figures, inter-film adaptation (sequels and 'reboots'), and development into other visual forms including graphic fiction and video games. Whether you are producing a faithful adaptation of Tolstoy's War and Peace, or planning to pair up the crime-fighting duo of Sherlock Holmes and Batman, Adaptation for Screenwriters will be your guide.
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen.Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image.With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
Basics Film-Making 04: The Language of Film explores the means by which film communicates meaning.Most films are a mosaic of fractured images and fragmented narratives, yet we have little problem piecing them together into a complete, meaningful sequence. The average audience is capable of following the most labyrinthine plots, feeling genuine emotion for characters, and believing that their worlds continue to exist even after the film has ended.This book discusses the stories films tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, and the range of aesthetic elements which contribute to the cinematic image.