Werner Herzog Knihy

Paměti Wernera Herzoga líčí v 36 krátkých pasážích scény a obrazy z neuvěřitelně bohatého autorova života, doplněné jeho krátkými úvahami. Zachycují život v rozpětí jednoho století, který by se nevešel ani do jednoho z jeho slavných filmů. Mladý, věčně hladový Herzog, s nímž matka uprchla z rozbombardovaného Mnichova do chudičké vsi v Alpách, vyroste v mladíka toulajícího se osaměle světem, na něhož záhy číhá v nejzazších končinách Egypta v horečkách smrt. Je to nadšenec a ctižádostí poháněný individualista, který uprostřed džungle tiše rozmlouvá s rozběsněným Klausem Kinským a rozpláče se u smrtelného lože přítele Bruce Chatwina. Ať už mluví o situacích během natáčení, jež občas ohrožují i životy ostatních, nebo o svém vztahu s Kinským, vždy jsou ve hře riziko a silné emoce. Tato kniha plná nespoutané touhy po životě a údivu nad naším nádherným světem je skutečnou literární událostí.

Werner Herzog autobiographical film "Portrait Werner Herzog" involved moving a 320-ton steamship over a hill without the use of special effects. Herzog believes that no one has ever performed a similar feat in history, and likely never will again, calling himself 'Conquistador of the Useless'.

At the end of November 1974, a friend from Paris called Herzog and told him that Lotte Eisner was seriously ill and would probably die. For Herzog this could not be, German cinema could not do without her. So he went on foot to Paris, convinced that she would live. This book reports that journey.

'One of the best things published about cinema.' Sight & Sound Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent collaborations with mercurial actor Klaus Kinski - including the epics Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema. Here, he reflects on his legendary and inspiring career.

Werner Herzog is the undisputed master of extreme cinema: building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes. During the making of his films, Herzog pushed himself and others to the limits, often putting himself in life-threatening situations. As a child in rural Bavaria, a single loaf of bread had to last his family all week. The hunger and deprivation he experienced during his early years perhaps explain his fascination with the limits of physical endurance.All his life, Herzog would embrace risk and danger, constantly looking for challenges and adventures. Filled to the brim with memorable stories and poignant observations, Every Man for Himself and God against All unveils the influences and ideas that drive his creativity and have shaped his unique view of the world. This book tells, for the first time, the story of his extraordinary and fascinating life.

Werner Herzog doesn't write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production--and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career -- Back cover

Robert Johnson was undoubtedly the most outstanding of the Mississippi Delta blues musicians and also one of the first inductees into the Rock and Roll Hall of Fame, but his short life remains steeped in mystery and wrapped in some of the most enduring legends of modern music. Love in Vain is Alan Greenberg's remarkable, highly acclaimed, and genre-defying screenplay and is widely considered to be one of the foremost books on Robert Johnson's life and legacy and an extraordinary exercise in American mythmaking. Newly revised and complete with extensive historical notes on Johnson's life and the culture of the Mississippi Delta and blues music during the 1930s, Love in Vain is at once a classic of music writing and a screenplay whose reputation lies firmly in the realm of great American literature.

Interviews with the director of Signs of Life; Aguirre, the Wrath of God to Grizzly Man; and Cave of Forgotten Dreams

“Ace Greenberg did almost everything better than I do—bridge, magic tricks, dog training, and arbitrage—all the important things in life.” —WARREN BUFFETT Alan C. Greenberg, the former chairman of Bear, Stearns, and a celebrated philanthropist, was known throughout the financial world for his biting, quirky but invaluable and wise memos. Read by everyone from Warren Buffett to Jeff Bezos to Tom Peters (“I love this book,” the coauthor of In Search of Excellence said), Greenberg’s MEMOS FROM THE CHAIRMAN comprise a unique—and uniquely simple—management philosophy. Make decisions based on common sense. Avoid the herd mentality. Control expenses with unrelenting vigil. Run your business at the highest level of morality. Free your motivated, intelligent people from the chain of command. Always return phone calls promptly and courteously. Never believe your own body odor is perfume. And stay humble, humble, humble.