Jeremy Tunstall Knihy

The collected readings provide an introduction to important debates in sociological theory and research

Focusing on the sociological aspects of aging, this pioneering study examines the phenomenon of isolation among the elderly, highlighting that while most older adults were not problematic, a significant minority faced loneliness. It reveals that approximately 1.3 million individuals aged 65 and over in Britain lived alone, shedding light on the social challenges they encountered. The work serves as an important early exploration of the complexities of aging and the need for societal awareness regarding elderly isolation.

Exploring the evolution of various media occupations, this collection of essays addresses critical controversies within the field. It examines the distinctions between media "crafts" and "professions," the roles of media moguls versus stars, and the growing insecurity among media workers. Additionally, the book delves into the unpredictability of media careers and the chaotic nature of entry into these professions, providing a comprehensive analysis of the complexities surrounding media work today.

This book considers British television from the point of view of executive producers: the people who employ the workforce and are in charge of making all television series. The focus of the book is twenty-one separate genres, at least seven of which are in significant decline – namely current affairs, education, natural history, science, arts, children’s and religion. Some other public service genres – such as documentary, history and travel – are in good health. The most commercially successful genres include formatted factual entertainment series, such as cooking, homes, quiz/game, reality and sport. The author completed 150 interviews not only with executive producers but with BBC and ITV channel controllers and top genre commissioners. Playing a supporting role are another 200 interviews, which were the basis of the author’s 1993 book, Television Producers. Since 1990, and especially since 2008, British television production has faced financial challenges. Meanwhile, BSkyB, Virgin Media and Channel Five are American controlled, and most of the larger London ‘independent’ production companies are now American or Euro-American owned and operated. Public service broadcasting in general, and BBC television in particular, are threatened with probable further decline. This book offers new insights into the state of British television through the eyes of those working on the inside.