Mary Renaultová Knihy

The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland.Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes-mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

Životopis usiluje o komplexní zobrazení osobnosti Alexandra a jeho činů; vyhýbá se hodnocením a širším historickým souvislostem.

In The Last of the Wine , two young Athenians, Alexias and Lysis, compete in the palaestra, journey to the Olympic games, fight in the wars against Sparta, and study under Socrates. As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.

In the first novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

Historický román o dramatickém životním osudu starořeckého básníka Simónída se odehrává v bouřlivé době plné válek, v 6. století př.n.l. Simónídes byl významným básníkem antického Řecka v 6. stol. před Kristem. V románě je vylíčena jeho životní pouť od narození ve městě Iúlis až do sklonku života v Syrakúsách. Básník, jehož nevzhledná tvář ostře kontrastovala s krásou jeho veršů, žil v době plné válek, intrik a zvratů; to se odráželo i na jeho osobních vzestupech a pádech. Autorka umně skloubila historická fakta s fantazií a podařilo se jí přiblížit čtenářům antický svět velkých tyranů i velkých básníků. A také připomenout, že Simónides je autorem epitafu "Poutníče, zvěstuj Lakedaimonským...", který byl určen Sparťanům padlým u Thermopyl.... celý text

"The Bull from the Sea" is the story of Theseus, King of Athens, but also Mary Renault's brilliant historical reconstruction of ancient Greek politics. Throughout his reign, Theseus is torn between his genius for kingship and his truant craving for adventure. As Theseus for a dynastic marriage with Phaedra, Pirithoos, the pirate prince, lures him off to explore the unknown Euxine, where he meets and captures the young warrior priestess Hippolyta. She is the love of his life, and that love is the crux of his fate. The bull of Marathon, the battle of the Lapiths and Kentaurs, and the moon-goddess cult of Pontos are merely a portion of the legendary material that Renault weaves into the fabric of great historical fiction. Whether or not these myths have their far-distant origin in actual events, the author's imagination and scholarship have invested them with immediate amd magical reality.

Set in fourth-century B.C. Greece, THE MASK OF APOLLO is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

In the final novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

The epic of Theseus, the boy-king of Eleusis, ritually pre=ordained to die after one year of marriage to the sacred Queen, but who defies the God's decree and claims his inheritance - and the throne of Athens. His friends are the young men and maidens, slaves of the God, chosen for death in the Bull Dance. His fabled enemy is the monstrous half-man, half-bull, Minotaur, devourer of sacrificial human flesh. In her classic re-creation of a myth so powerful that its impact has survived down the centuries, Mary Renault has brought to life the world of ancient Greece. For here is the true Atlantis legend, with its culmination in the terrible fateful destruction of the great Labyrinth, the palace of the house of Minos. Vivid and convincing...it brims with feeling - Sunday Times Takes the raw material of myth and makes it credible...I am spellbound by Miss Renault's art - The Observer One of the truly fine historical novels of modern times. Not since Robert Graves' I, Claudius has there been such an exciting living image of the Ancient World on this grand scale - New York Times