Bret Easton Ellis je americký autor, ktorý sa vo svojej tvorbe zameriava na témy morálky a nihilizmu prostredníctvom svojich postáv. Jeho diela často sledujú mladých, prázdnych jedincov, ktorí si uvedomujú svoju skazenosť a rozhodnú sa ju vychutnávať. Spojovacím prvkom jeho románov sú prebiehajúce postavy a dystopické prostredia, často situované v Los Angeles a New Yorku. Ellisova práca skúma temné stránky ľudskej prirodzenosti s jedinečným a provokatívnym štýlom.
Chokerende afsløring af den amerikanske drøms bagside. Hovedpersonen er en ung finansmand i New York, og romanen registrerer minutiøst hans overfladiske yuppietilværelse og hans natlige eskapader af pervers sex, vold og mord
From the New York Times bestselling author or Less Than Zero and American Psycho—a startlingly funny, kaleidoscopic novel about three students at a small, affluent liberal-arts college in New England with no plans for the future—or even the present—who become entangled in a romantic triangle. • “An extraordinary writer.” —LA Weekly Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance. The basis for the major motion picture starring James Van Der Beek, Shannyn Sossamon, Jessica Biel, and Kate Bosworth.
The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially. Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."
With an introduction by Ottessa MoshfeghIn 1985, Bret Easton Ellis shocked, stunned and disturbed with his debut novel, Less Than Zero. Published when he was just twenty-one, this extraordinary and instantly infamous work has done more than simply define a genre, it has become a rare thing: a cult classic and a timeless embodiment of the zeitgeist. It continues to be a landmark in the lives of successive generations of readers across the globe. Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less Than Zero - narrated by Clay, an eighteen-year-old student returning home to Los Angeles for Christmas - is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity, and its author's refusal to condone or chastise such behaviour.
Set in Los Angeles, in the recent past. The birthplace and graveyard of American myths and dreams, the city harbours a group of people trapped between the beauty of their surroundings and their own moral impoverishment. This novel is a chronicle of their voices.
Twenty-five years after "Less Than Zero," we revisit Clay, the protagonist from Bret Easton Ellis's groundbreaking debut novel that explored the dark side of 80s Los Angeles youth culture. Now, in a world marked by disillusionment and middle age, Clay has become a successful screenwriter. Upon returning to Los Angeles to cast his new film, he finds himself reimmersed in a familiar yet troubling social circle. His former girlfriend, Blair, is married to Trent, whose lavish Beverly Hills parties are filled with fame and fortune, yet he remains a bisexual philanderer. Clay's childhood friend, Julian, is now a recovering addict, while their old dealer, Rip, has undergone drastic changes, appearing even more menacing than before. As Clay navigates this complex landscape, he encounters a beautiful actress eager for a role in his film, which forces him to confront his own demons and the darker aspects of his character. With his life spiraling out of control, Clay grapples with his tendency for betrayal and the haunting remnants of his past. This return to familiar faces reveals the stark realities of aging and the enduring impact of their shared history.
A sensational new novel from the bestselling author of Less Than Zero and American Psycho that tracks a group of privileged Los Angeles high school friends as a serial killer strikes across the city. His first novel in 12 years, The Shards is Bret Easton Ellis at his inimitable best.
Imagine becoming a bestselling novelist while still in college, and almost immediately famous and wealthy, then seeing your insufferable father reduced to a bag of ashes in a safety-deposit box, even as your celebrity drowns in a sea of vilification, booze and drugs.
Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world's most fearless and clear-sighted observers of society - the glittering surface and the darkness beneath. In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump. Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke. What he values above all is the truth. 'The culture at large seemed to encourage discourse,' he writes, 'but what it really wanted to do was shut down the individual.' Bret Easton Ellis will not be shut down.
Kapitoly: Moja nesentimentálna výchova: láska na Manhattane? To sotva..., Radostný sex? To sotva..., Milujeme mnohonásobného záletníka, Manželstvo na Manhattane: ženy, ktoré sa nikdy nevydajú, a zlí starí mládenci, Zoznámte sa s mužmi, ktorí zásadne spávajú s modelkami !, Najnovšie newyorsképokušenie: milovať pána Božského, Medzinárodné bláznivé ženy, Manželský trojuholník na Manhattane!, Sedem mužov vystrelí nevyhnutnú otázku, Kočky z mesta verzus frajerky z Greenwiche, Kočky utekajú z krajiny manželiek, aby sa vrhli do víru nočných orgií, Príbehy krásavíc, Miluje svoje dievčatko, ale mamičke ju nepredstaví, Bezmocná na Manhattane, V žiari New Yorku, Ako sa vydať na Manhattane: môj recept, Manhattanské mamy celkom ohlpúpli, Keď kocúr nie je doma myši majú raj, Žena , ktorá vyje s vlkmi: veční starí mládenci? Z toho nič nebude..., Drevo a biela norka: vianočná koleda Carrie, Ozdoba večierkov, rozpráva príbeh o sexe a strastiach: bol bohatý, milujúci a ...škaredý, Aspen.
Que raconte White, première expérience de " non-fiction " pour Bret Easton Ellis ? Tout et rien. " Tout dire sur rien et ne rien dire surtout " pourrait être la formule impossible, à la Warhol, susceptible de condenser ce livre, d'en exprimer les contradictions, d'en camoufler les intentions. White est aussi ironique que Moins que zéro, aussi glaçant qu'American Psycho, aussi menaçant que Glamorama, aussi labyrinthique que Lunar Park, aussi implacable que Suite(s) impériale(s). Loin des clichés toujours mieux partagés, plus masqué que jamais, Bret Easton Ellis poursuit son analyse décapante des États-Unis d'Amérique, d'une façon, comme il le dit lui-même, " ludique et provocatrice, réelle et fausse, facile à lire et difficile à déchiffrer, et, chose tout à fait importante, à ne pas prendre trop au sérieux ". Que raconte White en ayant l'air à la fois de toucher à tout et de ne rien dire ? Peut-être que le fil à suivre est celui du curieux destin d'American Psycho, roman d'horreur en 1991 métamorphosé en comédie musicale à Broadway vingt-cinq ans plus tard. Ellis a dit autrefois : " Patrick Bateman, c'est moi. " Il ne le dit plus. Et si Patrick Bateman était devenu président ? P.G.
Der Band enthält zehn herausragende Kurzgeschichten des 'King of the Hard-Mouth-Poet', darunter 'Die große Zen-Hochzeit' und 'Hundekuchen in der Suppe'.
