Edinburgh University Press Knihy

This volume covers the nineteenth century, a period of profound change in Scottish history.

Bringing together a team of international experts from different subject areas – including law, history, archaeology and anthropology – this book re-evaluates the traditional narratives surrounding the origins of Roman law before the enactment of the Twelve Tables. Much is now known about the archaic period, relevant evidence from later periods continues to emerge and new methodologies bring the promise of interpretive inroads. This book explores whether, in light of recent developments in these fields, the earliest history of Roman law should be reconsidered. Drawing on the critical axioms of contemporary sociological and anthropological theory, the contributors yield new insights and offer new perspectives on Rome’s early legal history. In doing so, they seek to revise our understanding of Roman legal history as well as to enrich our appreciation of its culture as a whole.

Irish Drama and the Other Revolutions 'shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s.

Rising from nomadic origins as Turkish tribesmen, the powerful and culturally prolific Seljuqs and their successor states dominated vast lands extending from Central Asia to the eastern Mediterranean from the eleventh to the fourteenth century. Supported by colour images, charts, and maps, this volume examines how under Seljuq rule, migrations of people and the exchange and synthesis of diverse traditions - including Turkmen, Perso-Arabo-Islamic, Byzantine, Armenian, Crusader and other Christian cultures - accompanied architectural patronage, advances in science and technology and a great flowering of culture within the realm. It also explores how shifting religious beliefs, ideologies of authority and lifestyle in Seljuq times influenced cultural and artistic production, urban and rural architecture, monumental inscriptions and royal titulature, and practices of religion and magic. It also presents today's challenges and new approaches to preserving the material heritage of this vastly accomplished and influential civilization.

Starting from Deleuze's brief but influential work on control, the 11 essays in this book questions how contemporary control mechanisms influence, and are influenced by, cultural expression. They also collectively revaluate Foucault and Deleuze's theories of discipline and control in light of the continued development of biopolitics

These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious & thrilling' literary relationship.

A guide devoted to its subject, the book draws on recent breakthroughs in research on Hogg to illuminate the urgent debates and fruitful contexts that helped to shape his writings. Essays written by an international team of scholars provide an indispensable guide to Hogg's career, and the diverse literary forms in which he wrote.

Provides nine detailed case studies of translation between and among European and Middle-Eastern languages and between genres.

Brings Romanticism into dialogue with current understandings of consciousness With explosive interest in Romantic science and theories of mind and a renewed sense of the period's porousness to the world, along with new developments in cognitive theory and research, Romantic studies scholars have been called to revisit and remap the terrain laid out in the highly influential 1970 volume Romanticism and Consciousness. Romanticism and Consciousness, Revisited brings this shift in approach to Romantic "consciousness"- no longer the possession of a sole self but transactional, social, and entangled with the outside world - up to date. Richard C. Sha is Professor of Literature and Affiliate Professor of Philosophy at American University in Washington, DC. Joel Faflak is Professor of English and Theory at the University of Western Ontario

Explores of social justice, citizenship, and community in the context of data-driven urbanism

Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation. Marie-Odile Pittin-Hedon is a Professor of Scottish Literature at Aix-Marseille University (AMU). Camille Manfredi is a Professor of Scottish Literature at the University of Western Brittany (UBO). Scott Hames is a Senior Lecturer at the University of Stirling, where he led the MLitt programme in Scottish Literature.

During the latter half of the twentieth century the Gothic emerged as one of the liveliest and most significant areas of academic inquiry within literary, film, and popular culture studies. This volume covers the key concepts and developments associated with TwentiethCentury Gothic, tracing the development of the mode from the fin de siècle to 9/11. The eighteen chapters reflect the interdisciplinary and everevolving nature of the Gothic, which, during the century, migrated from literature and drama to the cinema and television. The volume has both a chronological and thematic focus and particular attention is paid to topics and themes related to race, identity, marginality and technology. Chapters on ecogothic, Gothic Studies as a discipline, Medical Humanities, Queer studies, African American Studies and Russian Gothic ensure that the collection is uptodate and wideranging. In addition to the Introduction by the editors, suggested further readings at the end of each chapter are intended to facilitate further independent research by readers and researchers.

Collects critical essays on the influential Argentine director Lucrecia Martel

Incorporates the lessons learned from the 2011 Arab revolutions into democratic transition theory.

An important resource for educators who desire to use literary texts in cultivating vocational exploration among students or in scholarship on vocation.

Examines François Ozon, one of France's most prolific and best known international (queer) directors.

The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource. The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit.

The first English-language book to cover Danish cinema from the 1890s to the present day.

Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective.

Provides valuable insight into one of the most exciting developments in Beckett Studies in recent years.

Featuring contributions from anthropologists, historians and scholars of religion, this book explores the passionate, divided and evolving field of Islamic Studies in Europe and North America, past and present covering topics from secularism and gender to pop music and modern science.

In literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Starting from Roland Barthes' 1953 book Writing Degree Zero, this volume examines the historical, theoretical and visual aspects of the term in collaboration with artist and writer Victor Burgin.

This book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories.

Based on an analysis of textual and audio-visual materials, the book surveys radical Left traditions in the Arab world that took shape between the 1950s and 1970s.

This collection analyses the audio-visual representations of several heightened events in Mexican history.

This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars.

This collection the first comprehensive English-language study of Leni's life and career offers new insights into his national and international films, his bold forays into scenic design and his transition from German to Hollywood filmmaking.

Scots Commercial Law brings together expertise from academia and practice. Part I puts the subject in context with chapters on Juristic Persons, General Principles of Contract and General Principles of Property. Part II covers the main subject areas covered in commercial law courses

Modern Readers explores the myriad places and spaces in which reading has typically taken place since the eighteenth century.

Pioneering comparative study of how and why migrants from Scotland, Ireland, England and Wales displayed attachment to home on headstones and memorial markers erected across the British World between the 17th and 20th centuries.

Examining the special relationship between footwear and film, Shoe Reels explores images of shoes in cinema. It questions what shoes mean in the context of narrative, aesthetics and symbolism, why they are so memorable, and what their wider cultural resonances might be.

This book draws on practitioner expertise in the academic and heritage sector to re-think the way that the transnational histories of Scotland are being told today.

Presenting numerous interconnected insights into life in Greater Syria in the twelfth century, this book covers a wide range of themes relating to Crusader-Muslim relations.

Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.

This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole. Ágnes Pethő is Professor of Film Studies at the Department of Film, Photography and Media of the Sapientia Hungarian University of Transylvania in Cluj-Napoca (Romania).

This collection of 13 new essays shows what Baruch Spinoza can add to our understanding of the relational nature of autonomy. By offering a relational understanding of the nature of individuals centred on the role played by emotions, Spinoza offers not only historical roots for contemporary debates but also broadens the current discussion.

This book brings together chapters authored by leading African American Studies/Black Studies scholars in the USA and the UK. It focuses on the roots of the discipline, reaching back to early brilliant Black intellectuals, discusses the historical and epistemological development of formal Black Studies, setting these in their socio-political contexts, and presents research methodologies and guidelines that are appropriate and valid for people of African descent. A number of chapters direct attention to the discipline’s longstanding commitment to social responsibility with chapters that focus on arts and activism, service learning and civic engagement, and present tangible examples for students. The book concludes with chapters on diverse research topics inclusive of history and gender, literature, sport, music, representation in comic books, afrofuturism, and the Black Studies Movement in the UK.

Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the author and his work.

ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his groundbreaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.

Bringing together internationally leading scholars whose work engages with the continued importance of literary experiment, this book takes up the question of 'reading' in the contemporary climate from culturally and linguistically diverse perspectives.

World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world.

Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan . As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It’s Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan’s cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking.

Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of Ovid Did you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the ‘Ovids’ that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.

Reading Victorian Literature provides a critical commentary on major authors of the nineteenth and early twentieth centuries, from Dickens to Conrad.

Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas. Anna Westerstahl Stenport is Professor and Chair of the School of Modern Languages at Georgia Institute of Technology. Arne Lunde is Associate Professor in the Scandinavian Section and in Cinema and Media Studies at UCLA.

In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases. With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing ― a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

This book approaches Byron from a completely new angle: no longer seen in terms of his status as a celebrity and a star on the book-selling market, Byron is instead seen as an outsider both in Regency society and, even more so, for his iconoclastic views of life and literature.

A stimulating review of contemporary land reform in Scotland

This collection applies the characterisations of children and childhood made in Deleuze and Guattari‘s work to concerns that have shaped our idea of the child. Bringing together established and new voices, the authors cover philosophy, literature, religious studies, education, sociology and film studies. They consider aspects of children's lives such as time, language, gender, affect, religion, atmosphere and schooling. As a whole, this book critically interrogates the pervasive interest in the teleology of upward growth of the child.

Reading Dylan Thomas attends in detail to the problems and pleasures of deciphering Thomas in the twenty-first century, teasing out his debts and effects, tracing his influence on later artists, and suggesting ways to understand his own idiosyncratic reading practices.

Featuring new historical and ethnographic research on China and Southeast Asia, this book explores how power and violence have shaped the experiences of Sufis and state-builders, as well as refugees and rebels, contributing to a more nuanced understanding of Islamic cosmopolitanism.

This commemorative volume discusses aspects of the life and work of the internationally famous scholar Professor W. Montgomery Watt (1909-2006). His writings on Islam and on Muslim-Christian relations gained him great prestige and respect, not only in the West but also - and perhaps more significantly - right across the Muslim world. The book includes contributions by Professor Carole Hillenbrand, Professor Fred Donner, Bishop Richard Holloway and the late Professor David Kerr, as well as substantial excerpts from Professor Watt's unpublished writings, copies of which he entrusted to Professor Hillenbrand.

Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape.

World-leading experts take a multi-disciplinary approach to explore how presidents, including Washington, Jefferson, Lincoln, the Roosevelts, Kennedy, Lyndon Johnson, Eisenhower, Reagan, Obama and Trump, are remembered in film, museums, public art, political invocations, pop culture, literature and evolving technological advancements.

This volume examines the cultural importance of the coastline in Britain during a time of vast change.

This collection of fourteen essays explores how the dominant media of our time - film and television - have engaged with the golden age as formulated in the Western classical tradition.

This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.

The only scholarly monograph to focus on Ovid's 'Iphis and Ianthe'.

This volume traces the roots of the constructivist turn in the distinct (and competing) traditions of Continental and Anglo-American Western political thought. Divided into three thematic parts, these 13 newly commissioned essays advance the insight that there can be no democratic politics without representation.

Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. Through 10 case studies drawn from television drama, theatre, animation and documentarythis collection offers wide-ranging insights into the significance of ancient Greece on British television.

In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema.

Nordic Genre Film' offers a transnational approach to studying contemporary genre production in Nordic cinema.

In recent years, interculturalism has emerged as a possible alternative to prevailing approaches of multiculturalism. But how is interculturalism different from multiculturalism? This collection brings together leading proponents of intercultural and multicultural theory and practice from Europe and North America to address this question.

This book examines how violent acts were assessed by Muslim intellectuals, analysing both changes and continuity within Islamic thought over time. číst celé