James Longenbach je básnik a kritik, ktorého diela sa často objavujú v publikáciách ako The New Yorker, Paris Review a Slate. Jeho práca sa často zaoberá zložitými vzťahmi medzi históriou, pamäťou a umeleckým vyjadrením. Longenbach skúma, ako sa minulosť odráža v súčasnosti a ako umenie funguje ako prostriedok na pochopenie a sprostredkovanie týchto komplexných väzieb. Jeho poetický štýl je známy svojou prenikavosťou a schopnosťou vyvolať hlboké emócie.
With remarkable courage and clarity, the poet explores themes of mortality and reflection in his final poems. The collection begins with a striking sequence that offers a bird's-eye view of life, capturing the essence of looking back as one prepares to journey into the unknown. Through myth and memory, Longenbach addresses the complexities of love and loss, creating a powerful symmetry among this volume and his previous works, Forever and Earthling. Together, they delve into the ordinary and extraordinary moments that define human experience.
For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics.
