Pascale Aebischer Knihy

Looks at the violation of bodies in Shakespeare's tragedies, especially as shown (or concealed) in performance on stage and screen.

This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. It explores how Shakespeare 'went viral' during the first lockdown of 2020.

Exploring the theme of bodily violation in Shakespeare's tragedies, this book analyzes how these acts are represented and sometimes obscured in theatrical and cinematic performances. It delves into the interplay between text and performance, revealing how physicality impacts the emotional and thematic depth of the plays. The analysis provides insight into the complexities of violence, identity, and the human experience within Shakespeare's work, inviting readers to reconsider the implications of bodily representation in both historical and contemporary contexts.

Focusing on early modern drama in film, Pascale Aebischer offers an in-depth analysis that broadens the field of Shakespearean performance studies. This work explores the adaptation of classic texts to the screen, highlighting the unique interpretations and cultural contexts that shape these performances. Aebischer's comprehensive approach sheds light on the interplay between stage and screen, making significant contributions to the understanding of theatrical adaptations in contemporary media.

Rapid changes in performance technologies are changing how we view early modern drama. The book explores how candlelight and architecture make each spectator's viewing experience unique; how digital media alter viewers' interactions with live performances; and how theatre broadcasts fundamentally affect the reception of Shakespeare.