Nathaniel Mackey Knihy

Focusing on the contributions of black writers from the United States and the Caribbean, this book explores their engagement with the Black Mountain poets. It delves into the intersections of race, culture, and artistic expression, highlighting how these diverse voices challenge and enrich literary traditions. Through critical analysis, the work examines themes of identity and the complexities of cultural dialogue, offering insights into the dynamic interplay between these literary movements.

Innovative and creative, this collection features exquisite vegan recipes that challenge conventional cooking. Each dish showcases unique flavor combinations and artistic presentation, designed to inspire both seasoned chefs and home cooks. The book emphasizes the versatility of plant-based ingredients, encouraging readers to explore new culinary techniques while promoting a sustainable lifestyle. Perfect for those looking to elevate their vegan cooking, it offers a fresh perspective on how delicious and varied plant-based meals can be.

A pivotal resource in the realm of literary criticism, this work delves into avant-garde poetics, offering essential insights for scholars and enthusiasts alike. Its frequent references in academic discussions highlight its significance and influence in understanding innovative poetic forms and techniques.

The great American jazz novel of "such exquisite rhythmic lyricism" (Bookforum) by National Book Award Winner Nathaniel Mackey.

The book features two interconnected serial poems, "Song of the Andoumboulou" and "Mu," crafted by acclaimed poet Nathaniel Mackey over thirty-five years. These elegiac works explore the journeys of a mysterious, collective "we," delving into themes of migration and existence. With lyrical brilliance and deep emotional resonance, Mackey navigates the complexities of the human experience, inviting readers into a rich tapestry of rhythm and anticipation. A note from the author adds further insight into this remarkable collection.

Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.

Exploring uncharted poetic spaces, Nathaniel Mackey's collection features a unique blend of antiphonal rants and rhythmic whispers. It is divided into three sections—"Braid," "Fray," and "Nub"—reflecting on the complexities of contemporary America and the planet. The work intertwines two long-running serial poems, "Song of the Andoumboulou" and "Mu," showcasing Mackey's innovative approach to poetry over more than twenty years. The collection invites readers into a rich tapestry of themes and reflections on identity and existence.

Set in Los Angeles in 1982, a jazz ensemble faces surreal occurrences as they prepare for their album release. A mysterious balloon emerges during a bass solo, delivering an enigmatic message. The story unfolds through letters written by N. to the Angel of Dust, revealing the intertwining lives of the musicians and the transformative power of their music. As socio-political forces influence their journey, the narrative explores themes of myth, resilience, and the essence of jazz, blending avant-garde literature with rich musicality.

Mackey's fifth poetry collection explores the intricate interplay of music and meaning, continuing the journey from his previous work. It follows a traveler and a tribe immersed in myth and history, navigating a shifting landscape defined by two serial poems. The collection's dual sections, both titled "Quag," depict an exiled world where names and places transform. With rich imagery ranging from pyramids to urban projects, it serves as a beautiful eulogy and an elegiac reflection on existence, resonating with deep musicality and haunting themes.

A new volume of the singular, ongoing, great American jazz novel