Hustvedtová skúma zložité témy identity a posadnutosti, často prostredníctvom optiky voyeurizmu a spojenia medzi živými a mŕtvymi. Jej prozaické dielo, ktoré často zahŕňa umenie a maľbu, sa vyznačuje hlbokým vhľadom do psychológie postáv a skúmaním ľudských vzťahov. Hustvedtová tiež píše eseje a poéziu, čím rozširuje svoj literárny záber. Jej štýl je prenikavý a evokatívny, vtiahne čitateľov do premyslených a emotívnych naratívov.
Mia is forced to reexamine her life when her husband puts their marriage on "pause" after thirty years. She returns to the prairie town of her childhood, and is drawn into the lives of those around her.
From the author of "The Enchantment of Lily Dahl" comes a powerful and heartbreaking novel that chronicles the epic story of two families, two sons, and two marriages.
In this illuminating and absorbing collection of essays, Siri Hustvedt explores many of the themes that preoccupy her novels: identity and memory, sexuality and mortality, psychology, love and the power of imagination. But here she offers her personal experience - as daughter, sister, mother and wife, student, reader and writer - to illustrate fundamental aspects of our lives as individuals and social beings in the modern world. She draws, too, on the work of Henry James, F Scott Fitzgerald and Charles Dickens, probing their insights into human nature. Wise, honest and luminously intelligent, this is a book that invites us to look afresh at ourselves and the universe we inhabit.
Internationally acclaimed as a novelist, Siri Hustvedt is also highly regarded as a writer of non-fiction whose insights are drawn from her broad knowledge in the arts, humanities and sciences. In this trilogy of works collected in a single volume, Hustvedt brings a feminist, interdisciplinary perspective to a range of subjects. Louise Bourgeois, Pablo Picasso, Susan Sontag and Knut Ove Knausgaard are among those who come under her scrutiny. In the book's central essay, she explores the intractable mind-body problem and in the third section, reflects on the mysteries of hysteria, synesthesia, memory, perception and the philosophy of Kierkegaard. With clarity, wit, and passion, she exposes gender bias, upends received ideas and challenges her reader to think again.
From the internationally bestselling author of What I Loved and The Summer Without Men, a dazzling collection of essays written with Siri Hustvedt's customary intelligence, wit and ability to convey complex ideas in a clear and lively way. Divided into three sections - Living, which draws on Siri's own life; Thinking, on memory, emotion and the imagination; and Looking, on art and artists - the essays range across the humanities and science as Siri explores how we see, remember, feel and interact with others, what it means to sleep, dream and speak, and what we mean by 'self'. The combination offers a profound and fascinating insight into ourselves as thinking, feeling beings.
Feminist philosophy meets family memoir in a fresh essay collection by the
award-winning essayist and novelist Siri Hustvedt, author of the bestselling
What I Loved and Booker Prize-longlisted The Blazing World.
"While speaking at a memorial event for her father, the novelist Siri Hustvedt suffered a violent seizure from the neck down. Was it triggered by nerves, emotion - or something else entirely?"--Back cover
Iris Vegan, a graduate student living alone and impoverished in New York, encounters four strong characters who fascinate and in different ways subordinate her: an inscrutable urban recluse who employs her to record the possessions of a murdered woman; a photographer whose eerie portrait of Iris takes on a life of its own; an old woman in hospital who tries to claim a remnant of the ailing Iris; and a professor she has an affair with. An exploration of female identity in an age when the old definitions - as some man's daughter/wife/mother - no longer apply, fuelled with eroticism and a sense of menace.
Fresh from Minnesota and hungry for all New York has to offer, twenty-three-year-old S.H. embarks on a year that proves both exhilarating and frightening - from bruising encounters with men to the increasingly ominous monologues of the woman next door. Forty years on, those pivotal months come back to vibrant life when S.H. discovers the notebook in which she recorded her adventures alongside drafts of a novel. Measuring what she remembers against what she wrote, she regards her younger self with curiosity and often amusement. Anger too, for how much has really changed in a world where the female presidential candidate is called an abomination? [amazon.com]