Dante Alighieri Knihy

Danteho Nový život je na prvý pohľad jeho najsubjektívnejšou lyrikou. Predstavuje prvé a základné štádium jeho básnického vývinu, priamo podmieňujúce vznik Božskej komédie. V tomto dielku bolo dobyté to, čo bolo neskôr nevyhnutne potrebné pre súd nad spoločnosťou: čisté oko. A v tomto dielku možno zachytiť šum prvých vĺn nastupujúceho európskeho humanizmu, založeného na uvedomovaní a postupnom oslobodzovaní ľudskej osobnosti.

Pri čítaní Danteho Hostiny sa stredovek vyjaví slovenskému čitateľovi v jeho najvynikajúcejšej podobe. Kniha rozkrýva, čo zamestnávalo mysle súčasníkov, a hovorí to jazykom, ktorý nás vtiahne do mentality a cítenia tej doby. Uvedomíme si, že Dante bol odvážny a stál si za svojím. Presne vedel, čo chce dosiahnuť, na koho sa obracia a proti komu. Ak je Božská komédia vrcholným dielom stredovekej literatúry, v Hostine Dante podáva návod, ako ju čítať. Svojou troškou chce k očareniu dávnymi časmi prispieť aj slovenský preklad tohto diela. A kto by sa do nich chcel vhĺbiť ešte viac, má poruke doslov a podrobné poznámky.

Z talianskeho originálu Dante Alighieri, La Divina Commedia, Vol. III. Paradiso, preložili, komentár a štúdiu napísali Jozef Felix a Viliam Turčány. Ilustroval Vincent Hložník. Vyšlo vo vydavateľstve Tatran, Bratislava 1986 ako 56. zväzok edície Výber.

Kniha je druhou časťou slávnej a legendárnej La Divina Comedia. Dante a jeho sprievodca Vergílius pokračujú vo svojom putovaní za stratenou láskou Beatrice. Ich cesty vedú z pekla, po prelezení skrze diabla, ktorý naveky požiera dušu Judášovu, na protipól sveta mystického do očistca. Tu stretávajú duše tých, ktorí neboli na veky zatratení, ale ich duša nebola v stave blaženosti, v čase smrti ich telesnej schránky, ktorá je nutná k priamemu prechodu do bázne nebeskej a blízkosti Boha trojjedinného. Prvé vydanie. Komentár podľa poznámok J. Felixa napísal Viliam Turčány.

Milostná lyrika jednoho z největších a nejvýznamnějších světových básníků, která svou trvale živoucí, věčně se opakující historií první lásky inspirovala umělce všech dob.

The book offers a fresh translation of Dante's Monarchy, a significant work of political theory exploring the ideal political organization for human nature. It presents Dante's original and powerful political vision while showcasing his intellectual contributions as a poet. Accompanied by an introduction and notes by Prue Shaw, the translation provides essential context about Dante's life and the broader implications of his ideas, making it accessible for both new readers and scholars.

V r. 1310, jiné prameny uvádějí až r. 1312–1313, vzniklo dílo „O jediné vládě“ (De Monarchia), v níž Dante vysvětlil své své politické názory a vize. Dílo ve třech svazcích, v němž Dante představoval jednotnou humánní vládu, nezávislou na církvi. Idealisticky tak vyjádřil svou touhu po sjednocení všech lidí. - Tyto úvahy vedly později k příkazu papeže Jana XXII. (1244–1334) k veřejnému spálení tohoto spisu na hranici. Příkaz vykonal v r. 1227 nebo 1229 papežský legát Bertrando del Poggetto (1280–1352). Úvodní studie dr. Josef Kliment.

V r. 1310, jiné prameny uvádějí až r. 1312–1313, vzniklo dílo „O jediné vládě“ (De Monarchia), v níž Dante vysvětlil své své politické názory a vize. Dílo ve třech svazcích, v němž Dante představoval jednotnou humánní vládu, nezávislou na církvi. Idealisticky tak vyjádřil svou touhu po sjednocení všech lidí. - Tyto úvahy vedly později k příkazu papeže Jana XXII. (1244–1334) k veřejnému spálení tohoto spisu na hranici. Příkaz vykonal v r. 1227 nebo 1229 papežský legát Bertrando del Poggetto (1280–1352). Úvodní studie dr. Josef Kliment.

Long narrative poem originally titled Commedia (about 1555 printed as La divina commedia) written about 1310-14 by Dante. The work is divided into three major sections--Inferno, Purgatorio, and Paradiso--which trace the journey of a man from darkness and error to the revelation of the divine light, culminating in the beatific vision of God. It is usually held to be one of the world's greatest works of literature. The plot of The Divine Comedy is simple: a man is miraculously enabled to visit the souls in Hell, Purgatory, and Paradise. He has two guides: Virgil, who leads him through the Inferno and Purgatorio, and Beatrice, who introduces him to Paradiso. Through these fictional encounters taking place from Good Friday evening in 1300 through Easter Sunday and slightly beyond, Dante the character learns of the exile that is awaiting him (an actual exile that had already occurred at the time of writing). This device allowed Dante not only to create a story out of his exile but also to explain how he came to cope with personal calamity and to offer suggestions for the resolution of Italy's troubles as well.

Reproductions of Dore's scenes from the Inferno, Purgatorio and Paradiso are accompanied by lines from Longfellow's translation

Dante's first major work links 31 poems inspired by his love of Beatrice, with a prose narrative that celebrates the subject of love while commenting on the nature of the poet's art.

In The Purgatorio, Dante describes his journey to the renunciation of sin, accepting his suffering in preparation for his coming into the presence of God. This brilliant translation of Dante?s canticle crystallizes the great poet?s immortal conception of the aspiring soul.

Dante translator-scholar Andrew Frisardi has produced the first fully annotated English translation of Dante's Convivio, and the first to include the parallel Italian text. The translation into modern English as well as the editorial commentary will make this volume essential for scholars and enthusiasts of Dante and early Italian literature.

Robin Kirkpatrick's masterful verse translation of The Divine Comedy, published in a single volume, is the ideal edition for students as well as the general reader coming to this great masterpiece of Italian literature for the first time The Divine Comedy describes Dante's descent into Hell with Virgil as a guide; his ascent of Mount Purgatory and encounter with his dead love, Beatrice; and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This volume includes a new introduction, notes, maps and diagrams 'The perfect balance of tightness and colloquialism... likely to be the best modern version of Dante' - Bernard O'Donoghue 'The most moving lines literature has achieved' - Jorge Luis Borges 'This version is the first to bring together poetry and scholarship in the very body of the translation - a deeply-informed version of Dante that is also a pleasure to read' - Professor David Wallace, University of Pennsylvania Individual editions of Robin Kirkpatrick's translation - Inferno, Purgatorio and Paradiso - are also available in Penguin Classics, and include Dante's Italian printed alongside the English text.

An English translation of Dante's Divine Comedy.

This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary. - from the publisher

A terrifying depiction of sin and eternal damnation from Dante's Inferno, the medieval epic that revolutionized the Italian language.

'Happiness beyond all words! A life of peace and love, entire and whole!' This is a collection of cantos from Paradiso, the most original and experimental part of the Divina Commedia.

"Written between 1308 and his death in 1321, this ... epic poem is widely considered to be the last great work of medieval literature and the first great work of the Renaissance - straddling two worlds on the brink of change... /Its] profound Christian message and detauiled social and political commentary of fourteenth-century Italy weave a rich tapestry of interpretation, meaning and symbolism. Dante's allegorical analysis of the mystery of divine revelation to the unsuspecting human soul is beautifully conveyed as a subtle journey of wonder and self-discovery, made personal by characters (and sinners) drawn from his own lineage, contemporary Florentine life, mythology and the Bible. ... "--Back cover.

The second volume in Dante's Divine Comedy Beginning with Dante's liberation from Hell, Purgatory relates his ascent, accompanied by Virgil, of the Mount of Purgatory - a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, Purgatory is an enthralling Christian allegory of sin, redemption and ultimate enlightenment. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This book is a reproduction of a historical work, published by Megali, a house dedicated to making literature accessible for those with impaired vision through large print formats. The focus on readability highlights the commitment to inclusivity in sharing historical texts.

This publication focuses on making historical works accessible by reproducing them in large print, catering specifically to individuals with impaired vision. The initiative by Megali highlights the importance of inclusivity in reading, ensuring that classic texts can be enjoyed by a wider audience.

Dante's epic narrative explores the soul's journey towards God through the realms of Hell, Purgatory, and Paradise. This edition features the complete texts of Inferno, Purgatoria, and Paradiso, offering a comprehensive view of Dante's profound allegorical exploration of sin, redemption, and divine love.

This book is a reproduction of a historical work published by Megali, a company dedicated to producing large print editions to aid individuals with impaired vision. The focus on accessibility highlights the importance of making literature available to a broader audience, ensuring that historical texts can be enjoyed by everyone, regardless of their visual capabilities.

Dante's journey through the heavenly realms unfolds in this concluding part of The Divine Comedy. As he ascends through the spheres of heaven, he encounters various souls who embody divine grace and wisdom. The narrative explores profound themes of love, faith, and the nature of God, culminating in Dante's ultimate vision of divine truth. Rich in allegory and philosophical insight, this work invites readers to reflect on the soul's ascent towards enlightenment and the eternal quest for understanding and connection with the divine.

This book is a reproduction of a historical work, published by Megali, a company dedicated to making literature accessible through large print editions. Aimed at readers with impaired vision, it ensures that classic texts remain available and readable. The focus on accessibility highlights the importance of inclusivity in literature.

The publishing house Megali focuses on reissuing historical works in large print, specifically designed to enhance readability for individuals with impaired vision. This initiative aims to make classic literature more accessible, ensuring that those with visual challenges can enjoy and engage with important texts from the past.

Focusing on accessibility, this publication by Megali aims to provide historical works in large print, catering specifically to readers with impaired vision. By reproducing original texts, it ensures that valuable literature remains available and easy to read for all, promoting inclusivity in the literary world.

Focusing on accessibility, this book is a reproduction of a historical work presented in large print. The publishing house Megali aims to facilitate reading for individuals with impaired vision, ensuring that classic literature remains available and enjoyable for a wider audience.

Focusing on accessibility, this work is a reproduction of a historical text presented in large print, catering specifically to readers with impaired vision. Megali, the publishing house behind this edition, emphasizes the importance of making classic literature more accessible while preserving the original content.

The narrative poem chronicles Dante Alighieri's spiritual journey from sin and despair to salvation and self-awareness, reflecting his personal experiences during exile from Florence. Divided into three books of 33 cantos each, it explores themes of morality and redemption. Written in the Tuscan vernacular, the work played a significant role in shaping the Italian language, influencing literature and culture for centuries.

Focusing on accessibility, this publication emphasizes the importance of large print to aid readers with impaired vision. The Megali publishing house is dedicated to reproducing historical works, ensuring that classic literature remains accessible to a wider audience.

The book is a reproduction of a historical work, published by Megali, a house dedicated to producing large print editions. This initiative aims to enhance accessibility for individuals with impaired vision, ensuring that they can enjoy and engage with important literary texts.

This book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. Published by Megali, a company dedicated to making historical texts more available, it aims to provide an easier reading experience while preserving the original content.

This publication focuses on making historical works accessible to those with impaired vision by offering them in large print. Megali, the publishing house behind this initiative, specializes in reproducing these texts, ensuring that important works are available to a wider audience.

This publication focuses on reproducing historical works in large print, catering specifically to individuals with impaired vision. The aim is to enhance accessibility and ease of reading, showcasing the commitment of the Megali publishing house to inclusivity in literature.

Guided by the poet Virgil, the author plunges to the very depths of Hell and embarks on his arduous journey towards God. Together they descend through the nine circles of the underworld and encounter the tormented souls of the damned, who tell of their sad fates and predict events still to come in his life.

Dante is accompanied on his voyage to the world of the dead by the Roman poet Virgil, author of the Aeneid. Horror and fascination take over in equal measure as pilgrim and poet make their descent into the concentric circles of Hell, each one more horrifying than the last, culminating with the deadly journey to the lake of ice at its nadir, where the three-headed Lucifer resides, trapped waist-deep in ice for all eternity. This masterpiece of world literature it is a spiritual allegory without compare where the revelation of the divine and the self-discovery of the narrator has been illustrated with artwork from Hieronymus Bosch, William Blake and other artists from the Italian School.

Nach Inferno / Hölle erscheint nun der nächste Band von Hartmut Köhlers vielgelobter Neuübersetzung der Göttlichen Komödie: Dante betritt, wieder begleitet von seinem Führer Vergil, das Purgatorio, den Ort der Reinigung, »in dem die menschliche Seele sich läutert und würdig wird, zum Himmel aufzusteigen«. Die, die dort büßen, haben sich eines der sieben Grundlaster schuldig gemacht: Hochmut, Neid, Zorn, Trägheit, Habsucht, Fressgier und - als geringstes - der Wollust. Am Ende der Wanderung über den Berg der Läuterungen wartet die schwerste Prüfung, der Gang durch das reinigende Feuer. Danach wird Dante Beatrice begegnen und das Paradies betreten: es beginnt der dritte Teil. Die Übersetzung des Inferno stand im März 2010 auf der SWR-Bestenliste, war Buch des Monats März 2010 der Darmstädter Jury und stand auf Platz 2 der ORF-Bestenliste im August 2010. Für seine Übersetzung der Commedia wurde Hartmut Köhler der deutsch-italienische Übersetzerpreis 2013 verliehen.

Oh scellerato pensiero, oh disonesta opera, oh miserabile esempio! Ingiusta e furiosa dannazione e perpetuo sbandimento, alienazione de' paterni beni, e, se fosse possibile, maculazione della gloriosissima alma con false colpe. Le recenti ordi'e della sua fuga e le ossa sepolte in terre altrui, e la prole dispersa, fanno chiara testimonianza. Se le altre iniquità fiorentine potessero nascondersi agli occhi di Dio, questa dovrebbe bastare a provocare la sua ira. Chi si oppone a tale giudizio, è meglio che taccia. Guardando bene, non solo il presente mondo ha deviato dal sentiero originale, ma ha completamente voltato le spalle. È evidente che se noi e altri viviamo in modo simile, senza cadere sotto la sentenza di Solone, ciò è dovuto o a un cambiamento della natura delle cose, o a un miracolo speciale, dove Dio, per meriti passati, sostiene la nostra esistenza contro ogni logica umana, o alla sua pazienza, che attende il nostro riconoscimento. Se quest'ultimo non arriverà, non c'è dubbio che la sua ira si manifesterà.

È il secondo dei tre regni dell'Oltretomba cristiano visitato da Dante nel corso del viaggio, con la guida di Virgilio. Dante lo descrive come una montagna altissima che si erge su un'isola al centro dell'emisfero australe totalmente invaso dalle acque, agli antipodi di Gerusalemme che si trova al centro dell'emisfero boreale. Secondo la spiegazione di Virgilio (Inf., XXXIV, 121-126), quando Lucifero venne precipitato dal cielo in seguito alla sua ribellione, cadde al centro della Terra dalla parte dell'emisfero australe e tutte le terre emerse si ritirarono in quello boreale, per timore del contatto col maligno; si creò così la voragine infernale e la terra che la lasciò andò a formare la montagna del Purgatorio, che sorge in posizione opposta all'Inferno.

Dante Alighieri (Florencia, c. 29 de mayo de 1265 - Ravena, 14 de septiembre de 1321) fue un poeta italiano. Su obra maestra, la Divina comedia, es una de las obras fundamentales de la transicion del pensamiento medieval al renacentista. Es considerada la obra maestra de la literatura italiana y una de las cumbres de la literatura universal.En italiano es conocido como il Sommo Poeta (el Poeta Supremo). A Dante tambien se le considera el padre del idioma italiano (llamado volgare en aquella epoca). Su primera biografia fue escrita por Giovanni Boccaccio (1313-1375), en el Trattatello in laude di Dante."

"Божественную комедию" можно назвать поэтической и метафизической энциклопедией позднего Средневековья. Композиция великой поэмы, первого памятника литературного итальянского языка, уводит читателя вглубь столетий, к основам христианской культуры

Il volume appartiene alla serie rossa dei «Diamanti», dedicata ai grandi classici della letteratura italiana. Le opere di Dante qui contenute sono i cinque capolavori scritti dal Poeta nell'idioma di Virgilio: De vulgari eloquentia, Monarchia, Egloghe, Epistole, Questio de acqua et terra. I temi trattati sono la teorizzazione di una lingua volgare (De vulgari eloquentia), la dottrina politica (Monarchia), la suggestione della poesia bucolica, di cui Dante si dimostra abile cultore (Egloghe), gli scritti politici dell'epoca dell'esilio, gli spunti esegetici e la corrispondenza amicale (Epistole), la filosofia naturale (Questio).

Il concetto storiografico di Dolce stil novo risale alla Storia della letteratura italiana di Francesco De Sanctis, che per primo lo formulò nel 1870. E tuttavia, benché accolto da molti tanto da figurare ancora nelle storie letterarie e nei manuali scolastici, esso non ha goduto e tuttora non gode di unanime consenso tra gli studiosi della poesia delle Origini. È davvero esistito il Dolce stil novo, oppure è un fantasma storiografico generato dalla poetica dantesca? Questo volume cerca di dare una risposta, attraverso un’analisi puntuale e aggiornata dei testi e lo studio della loro tradizione manoscritta. Ne emerge che la poesia degli ultimi anni del secolo XIII richiama a un repertorio metrico chiuso, a uno stile limpido, piano e trasparente (‘dolce’), a un’esclusività tematica tutta incentrata sull’amore, a un pubblico rigorosamente preselezionato non solo sul piano culturale ma anche e soprattutto sul piano etico. Il volume comprende una prima parte dedicata al problema storiografico e agli aspetti generali della nuova poesia e poi capitoli distinti per i singoli poeti: dai maggiori ai minori, con proposte per un nuovo canone degli stilnovisti. Manca, volutamente, un capitolo dedicato a Dante, perché il protagonista indiscusso del Dolce stil novo aleggia su tutto il volume.

"Il Fiore" e il "Detto d'Amore" segnano il debutto letterario del giovane Dante Alighieri e provano il talento singolare di un autore capace, da un lato, di rivaleggiare con un recente "classico" francese, il "Roman de la Rose", del quale offre un libero adattamento secondo due chiavi stilistiche diverse (comico-parodistica nel "Fiore, verbalmente preziosa nel "Detto"); e, dall'altro, di omaggiare e insieme superare i maestri riconosciuti della sua generazione, Brunetto Latini, Guittone d'Arezzo e Guido Guinizzelli. "Il Fiore", in particolare, racconta il tentativo dell'Amante/narratore di "cogliere il fiore" della donna amata; con la sua salda architettura compositiva e la grande varietà espressiva, costituisce un precedente necessario per la monumentale costruzione della "Commedia", un vero e proprio "ritratto dell'artista da giovane".

La Divina Commedia è un poema classico della letteratura italiana e mondiale con caratteristiche epica e teologica, scritto da Dante Alighieri nel XIV secolo, periodo rinascimentale, e diviso in tre parti: l'Inferno, il Purgatorio e il Paradiso. Sono cento canti protagonizzati dal poeta stesso in compagnia del poeta romano Virgilio, che percorre una giungla spirituale nei tre regni oltre-tomba. Il Purgatorio è descritto in 33 canti. Dante descrive l'incontro con le anime che attendono di essere valutate. Il purgatorio è formato da sette cerchi, che rappresentano i sette peccati capitali: Orgoglio, Invidia, Ira, Pigrizia, Avarizia, Gola e Lussuria.

Ein vielstimmiger Nachgang durch die »Göttliche Komödie« des italienischen Dichters Dante Alighieri – und eine Einladung zum Mitlesen. Dante Alighieri vollendete seine »Commedia« vor siebenhundert Jahren, kurz bevor er 1321 im Exil in Ravenna starb. Mit ihr schuf der aus seiner Heimatstadt vertriebene Florentiner eine schier unerschöpfliche Bild- und Gedankenwelt, die T. S. Eliot einfach und rätselhaft zugleich nannte. Die mittelitalienische Dichtung erzählt in Ich-Perspektive von einer Jenseitsreise – begleitet durch einen toten Vergil – durch die fürchterlichen Tiefen der Hölle, einer spektakulären Flucht vor Luzifer zum Läuterungsberg und der Wiedervereinigung zweier (Jugend-)Liebender im Paradies. Von April bis zum Todestag Dantes am 14. September 2021 gingen so unterschiedliche Autorinnen und Autoren wie der Romanist Karlheinz Stierle, die Komponistin Lucia Ronchetti, die Schriftstellerin Berit Glanz und viele weitere Dante und seinen Versen nach. Ihre Kommentare, die im Feuilleton der FAZ publiziert wurden und hier nun erstmals gebündelt in Buchform vorliegen, berichten von Tieren und Bösewichten, von Päpsten, Sündern und Verrätern, von Hitze und Eiseskälte, vom Klang der Hölle und den Vögeln im Paradies, vom Leid im Exil und dem Zwinkern der Gnade. Sie alle sind eine Einladung, Dantes Komödie (neu) zu lesen.

Quand Virgile et Dante, à l'aube du dimanche de Pâques de l'année 1300, débarquent sur la plage de l'Anti-purgatoire, après avoir traversé les cercles infernaux et reparcouru, à travers un boyau obscur, tout l'espace du centre de la terre à sa surface, l'impression de bonheur est intense, quasi paradisiaque... Au contraire, les récits de voyages imaginaires de la même époque décrivent des purgatoires qui sont des sortes d'enfers : mêmes feux, mêmes tortures - seulement écourtées, seulement " à terme ". Dante rompt brutalement avec cette tradition ; son Purgatoire semble plutôt tendre vers le Paradis. Malgré les tourments racontés, la mémoire du lecteur garde l'image d'une montagne au milieu de la mer dans la lumière du soleil, habitée par les anges, rythmée par les manifestations de l'art - sculptures, chants, rencontres de poètes, image d'un lieu où devenir bon signifie devenir léger.

Die Karriere des Fußballprofis Dante ist eine Geschichte vom Glauben an sich selbst – und vom Vertrauen auf Gott und die eigene Familie. Erst mit 17 Jahren wurde der Brasilianer von dem hochklassigen Verein Juventude in Caxias do Sul, 3000 Kilometer von seiner Heimatstadt Salvador de Bahia entfernt, verpflichtet. 2004 erfüllte sich für ihn der Traum jedes brasilianischen Fußballers: Er wechselte nach Europa. 2009 schaffte er den Sprung in die deutsche Bundesliga. Nach drei Jahren als Abwehrchef und Publikumsliebling bei Borussia Mönchengladbach, wo die Fans mit Dante-Perücken ins Stadion kamen, wechselte er 2012 zu Bayern München. In seinem ersten Jahr holte er unter Trainer Jupp Heynckes als Stammspieler das Triple und debütierte in der brasilianischen Nationalelf. Diese Autobiografie, geschrieben mit Unterstützung von Dantes Familie und illustriert mit vielen privaten Fotos, zeichnet die Stationen einer ungewöhnlichen Karriere nach und bringt uns den Fußballer und den Menschen Dante näher.

La Vita nuova e le Rime sono, com’è noto, i primi prodotti dell’impegno letterario del giovane Dante: prima prova che lo condurrà al traguardo sommo della Commedia. È stato merito di Michele Barbi l’aver portato la produzione giovanile del Poeta a un grado di comprensione sconosciuto a tutte le epoche precedenti. E proprio dalle sue edizioni sono ripartiti i due Curatori, Donato Pirovano (Vita nuova) e Marco Grimaldi (Rime), non senza la dovuta attenzione ai risultati della critica recente.Ne è risultata un’edizione del tutto nuova, anche per l’ampio corredo storico-critico ed esegetico che la sostiene, in cui emerge da un lato la natura di opera autonoma della Vita nuova, dall’altro la profonda sua integrazione con il corpus delle Rime, che non potrebbe privarsi dei testi in essa inseriti.

Luciano Corona, con la pluriennale esperienza di insegnante di lettere, ha capito quanto sia difficile "far digerire" i classici della letteratura italiana, in particolare quelli più lontani nel tempo. Sono soprattutto lingua e sintassi a renderli in sostanza illeggibili. Un giorno, un amico pittore che vuole illustrare la Divina Commedia, gli chiede se non sarebbe possibile averne una versione "accessibile ai comuni mortali". Un altro giorno, un'amica spagnola che conosce perfettamente l'italiano e che si è laureata in filosofia qui da noi, gli confessa di aver provato a leggere il testo dantesco, senza riuscirci. Da qui l'idea di "riscrivere" le grandi opere della letteratura italiana, perché tutti possano leggerle.

Dante Alighieris "Vita nuova" ist ein bedeutendes Jugendwerk und zählt zu den schönsten poetischen Werken der Weltliteratur. Diese Ausgabe enthält die vielgelesene Übersetzung von Richard Zoozmann, ergänzt durch Erläuterungen. Der Neusatz wurde 2021 im LIWI Verlag veröffentlicht.

»Durch Kurt Flasch wird man nicht zum Dante-Leser, sondern zum ›Dante-Freund‹.« Martin Grzimek In seinem Begleitband ›Einladung, Dante zu lesen‹ führt Kurt Flasch den Leser behutsam und kenntnisreich wie kein zweiter durch die weitverzweigten Gänge von Dantes Meisterwerk. Flasch schildert das Florenz Dantes, die historischen Verwicklungen Italiens, die metaphysischen Höhenflüge und tragischen Enttäuschungen des aus Florenz Verbannten. In seiner Heimatstadt sah Dante eine entseelte Finanzmetropole, die langsam die Seelen seiner Bürger fraß. Die unvermutete Aktualität solcher Visionen kontrastiert Flasch mit einer genauen Erkundung der zeitgenössischen Philosophie und des theologischen Denkens. Dabei vergisst er aber nie den poetischen und erzählerischen Reichtum und öffnet so dem Leser elegant und kurzweilig die tieferen Schichten eines der größten Kunstwerke der Weltliteratur.

Die »Monarchia« gilt als eines der zentralen staatsphilosophischen Werke des Mittelalters. In diesem versucht Alighieri mit philosophischen Mitteln die Ursachen des politischen Unheils seiner Zeit zu entlarven. So gilt der Inhalt etwa als Reaktion auf den Machtanspruch des Papstes Bonifaz VIII., den dieser in seiner berühmten Bulle »Unam sanctam« zu begründen versuchte. Gleichzeitig möchte der Verfasser der »Göttlichen Komödie« in seiner Politiktheorie die Bedingungen eines gerechten, friedlichen und glücklichen Zusammenlebens aller Menschen auf Grundlage der Bibel aufzeigen. Diese grundlegend kommentierte Studienausgabe beleuchtet neben der Entstehungsgeschichte den geistesgeschichtlichen Kontext des Werks sowie seine Wirkungsgeschichte.

El primero de los dos tomos que integran la presente edición de las obras completas de Dante Alighieri incluye un estudio preliminar redactado por Ángel Crespo, la 'Divina comedia' y un apéndice sobre los problemas y métodos suscitados por la traducción de dicha obra.

Dante Alighieri scrisse La Divina Commedia più di settecento anni fa eppure quest'opera, oltre a esse re una pietra miliare della letteratura italiana, risulta profondamente fresca e attuale.In questa parafrasi accurata e fruibile, destinata ai ragazzi della scuola primaria, il poeta racconta in prima persona le tappe del suo viaggio immagina rio conducendo i lettori in dimensioni meravigliose. Inferno, Purgatorio e Paradiso sfilano in tutta la loro forza rappresentativa sotto gli occhi vigili di Dante e quelli stupefatti dei suoi lettori.