George Saunders sa narodil a vyrastal na juhu Chicaga. Po rozmanitej kariére v technických a fyzicky náročných odboroch, vrátane práce ako seizmický inžinier a v bitúnku, sa zameral na písanie. Jeho diela často skúmajú etické otázky a ľudskú povahu s jedinečným zmyslom pre humor a súcit. Saundersův štýl je známy svojou nekonvenčnosťou a hlbokým porozumením pre postavy v boji.
From the New York Times bestselling author of Tenth of December, a 2013 National Book Award Finalist for Fiction, and the novel Lincoln in the Bardo. A New York Times Notable Book Six short stories and a novella. Set in a dystopian near-future in which America has become little more than a theme park in terminal disrepair, they constitute a searching and bitterly humorous commentary on the current state of the American Dream. Funny, sad, bleak, weird, toxic - the future of America as the Free Market runs rampant,the environment skids into disarray, and civilization dissolves into surreal chaos. These wacky, brilliant, hilarious and entirely original stories cue us in on George Saunder's skewed vision of the legacy we are creating. Against the backdrop of our devolvement, our own worst tendencies and greatest virtues are weirdly illuminated.
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'I think he's the greatest writer since Salinger' Richard Ayoade 'I love this collection and it has one of my favourite stories of all time in it' Elizabeth Day 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.
On February 22, 1862, two days after his death, Willie Lincoln was laid to rest in a marble crypt in a Georgetown cemetery. That very night, shattered by grief, Abraham Lincoln arrives at the cemetery under cover of darkness and visits the crypt, alone, to spend time with his son's body. Willie finds himself in a strange purgatory-- the bardo-- where ghosts commisserate, quarrel, and enact bizarre acts of penance ... and where a struggle erupts over his soul
From the New York Times bestselling Booker Prize-winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves - and our world today. For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it's more relevant than ever in these turbulent times. In his introduction, Saunders writes, "We're going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn't fully endorse but that these writers accepted implicitly as the aim of art - namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognized it?" He approaches the stories technically yet accessibly , and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and how the reading and writing of stories make genuine connection possible. -- From dust jacket
Tenth of December is the most honest, moving, and critically acclaimed collection yet from George Saunders, one of the most important writers of his generation. These stories take on the big questions and explore the fault lines of our own morality, the characters vividly and lovingly infused with Saunders's signature blend of exuberant prose, deep humanity, and stylistic innovation. (back cover)
A stunning collection including the story "Sea Oak," from the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction. One of the New York Times’s 100 Best Books of the 21st Century Hailed by Thomas Pynchon as "graceful, dark, authentic, and funny," George Saunders gives us, in his inventive and beloved voice, this bestselling collection of stories set against a warped, hilarious, and terrifyingly recognizable American landscape.
The stories In Persuasion Nation are easily his best work yet. "The Red Bow," about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing. Saunders's work in the last six years has come to be recognized as one of the strongest—and most consoling—cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.
