Britská literárna kritička Marilyn Butler preslávila svoje hlboké skúmanie romantizmu a obdobia 18. a 19. storočia. Jej práca sa sústredila na pochopenie spoločenských a intelektuálnych síl, ktoré formovali literárnu tvorbu, so zvláštnym zameraním na autorky ako Maria Edgeworth. Butler sa vyznačovala precíznou analýzou a schopnosťou prepojiť literárne diela s ich širším kultúrnym a historickým kontextom. Jej vplyvné kritické diela osvetľujú zložitosť literárnych prúdov a prispievajú k hlbšiemu porozumeniu britskej literatúry.
While enjoying a stay in fashionable Bath, the young and callow Catherine Morland is introduced to the delights of high society. A satire on the gothic mode typified by the novels of Ann Radcliffe, 'Northanger Abbey' is a witty comedy of manners in the style of Jane Austen's later novels.
Úspešný román Jane Austenovej z prostredia anglickej "lepšej spoločnosti" 19.stor., kde čas plynie pomaly a porušenie spoločenských konvencií je neodpustiteľnou chybou , kde city a vzťahy medzi mladými ľuďmi výrazne ovplyvňuje výška majetku a ich zväzky sú často výsledkom osobných obetí a kompromisov. Hlavnou postavou je krásna a vzdelaná Emma Woodhousová.
From a series containing rarely studied works of major influence, this volume centres on the great Revolution debate in England in the 1790s, inspired by the French Revolution. As well as excerpts from Burke, Paine and Godwin, there are shorter pieces by writers such as Cobbett and More. Cambridge English Prose Texts consists of volumes devoted to selections of non-fictional English prose of the late sixteenth to the mid nineteenth centuries. The series provides students, primarily though not exclusively those of English literature, with the opportunity of reading significant prose writers who, for a variety of reasons (not least their generally being unavailable in suitable editions), are rarely studied, but whose influence on their times was very considerable. Marilyn Butler's volume centres on the great Revolution debate in England in the 1790s, inspired by the French Revolution. The debate consists of a single series of works which depend for their meaning upon one another, and upon the historical situation which gave them birth. Major tracts by Burke (Reflections on the Revolution in France), Paine (The Rights of Man), and Godwin (Enquiry Concerning Political Justice) are given at length, while important shorter pieces by such writers as Hannah More, Thomas Spence, and William Cobbett appear virtually complete. The volume is especially interesting for its portrait of a community of oppositional writers. Many of them knew one another personally, and stimulated and sustained one another against the pro-government majority. Their collaborative literary enterprise, and its break up, offer a fascinating perspective on Romanticism and the growth of an extra-parliamentary opposition functioning through the press. The volume also reveals the impact of the great debate on writers such as Mary Wollstonecraft, Coleridge, and Wordsworth. As with other titles in the series, the volume is comprehensively annotated: obscure allusions to people, places, and events are glossed in footnotes and endnotes, while prefactory headnotes comment on the circumstances surrounding the composition of each extract. In a substantial introduction Dr Butler offers a broad examination of this pamphlet war and its main participants. There is a helpful critical guide to further reading for those wishing to pursue their study of the subject. The volume will be a vital sourcebook for students of English Romantic literature, history, and political history