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From Cakewalks to Concert Halls

An Illustrated History of African American Popular Music from 1895 to 1930

Hodnotenie knihy

Parametre

  • 132 stránok
  • 5 hodin čítania

Viac o knihe

From Cakewalks to Concert Halls, second-prize winner of the 1992 Ralph J. Gleason Music Book Award, traces the growth of a uniquely American art form from the days of blackface minstrelsy to the big-band era.The first pictorial study of the subject, From Cakewalks to Concert Halls features rarely seen sheet-music covers in Morgan's personal collection -- vivid, sometimes shocking images from a time when racial stereotypes filled advertising and entertainment. As Barlow's thought-provoking text explains, black performers gradually overturned the minstrel tradition of racial mockery, bringing ragtime, blues, and jazz into the mainstream of American popular culture.Essays by Morgan recount the lives of pivotal figures: Bert Williams, W.C. Handy, Eubie Blake, and many more. A story of creativity and courage, From Cakewalks to Concert Halls reveals how African Americans transformed what Barlow calls the soundscape of American music.

Nákup knihy

From Cakewalks to Concert Halls, Thomas Lesher Morgan, William Barlow

Jazyk
Rok vydania
1992
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3,2
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Titul
From Cakewalks to Concert Halls
Podtitul
An Illustrated History of African American Popular Music from 1895 to 1930
Jazyk
anglicky
Rok vydania
1992
Väzba
pevná
Počet strán
132
ISBN10
188021606X
ISBN13
9781880216064
Série
Hodnotenie
3,2 z 5
Anotácia
From Cakewalks to Concert Halls, second-prize winner of the 1992 Ralph J. Gleason Music Book Award, traces the growth of a uniquely American art form from the days of blackface minstrelsy to the big-band era.The first pictorial study of the subject, From Cakewalks to Concert Halls features rarely seen sheet-music covers in Morgan's personal collection -- vivid, sometimes shocking images from a time when racial stereotypes filled advertising and entertainment. As Barlow's thought-provoking text explains, black performers gradually overturned the minstrel tradition of racial mockery, bringing ragtime, blues, and jazz into the mainstream of American popular culture.Essays by Morgan recount the lives of pivotal figures: Bert Williams, W.C. Handy, Eubie Blake, and many more. A story of creativity and courage, From Cakewalks to Concert Halls reveals how African Americans transformed what Barlow calls the soundscape of American music.