
Viac o knihe
The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives & their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event. In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya & Natasha, isn't itself enough to direct their lives; instead, it combines with their social world & the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched. Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&-blood people as we see them around every day. They are made up of both good & evil, of will & acceptance. Unfailingly they command interest & illuminate understanding.
Nákup knihy
The Insulted and Injured, Fiodor Michajlovič Dostojevskij, Constance Garnett
- Jazyk
- Rok vydania
- 1987
- Väzba
- (mäkká)
Nikto zatiaľ neohodnotil.
- Titul
- The Insulted and Injured
- Jazyk
- anglicky
- Vydavateľ
- Grafton Books
- Rok vydania
- 1987
- Väzba
- mäkká
- Počet strán
- 348
- ISBN10
- 0586072950
- ISBN13
- 9780586072950
- Série
- Štítky
- 19. storočie, Rusko, Ruská literatúra
- Anotácia
- The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives & their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event. In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya & Natasha, isn't itself enough to direct their lives; instead, it combines with their social world & the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched. Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&-blood people as we see them around every day. They are made up of both good & evil, of will & acceptance. Unfailingly they command interest & illuminate understanding.