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1. 1

   The familiar. Volume 1, One rainy day in May

   • Mark Z. Danielewski

   • 839 stránok
   • 30 hodin čítania

   3,7(4012)Ohodnotiť

   NATIONAL BEST SELLER  From the author of the international best seller House of Leaves and National Book Award–nominated Only Revolutions comes a monumental new novel as dazzling as it is riveting. The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.) 

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2. 2

   The Familiar - Into the Forest

   • Mark Z. Danielewski

   • 829 stránok
   • 30 hodin čítania

   4,2(1546)Ohodnotiť

   The Familiar, Volume 1 Wherein the cat is found . . . The Familiar, Volume 2 Wherein the cat is hungry . . . From the universally acclaimed, genre-busting author of House of Leaves comes the second volume of The Familiar, a “novel [which] goes beyond the experimental into the visionary, creating a language and style that expands the horizon of meaning . . . hint[ing] at an evolved form of literature.”* In The Familiar, Volume 2: Into the Forest, the lives of the disparate and dynamic nine characters introduced in “One Rainy Day in May” begin to intersect in inexplicable ways, finding harmonies and echoes in each other. What once seemed remote and disconnected draws closer—slowly, steadily—toward something inevitable. . . . At the center of it all is Xanther, a twelve-year-old girl, for whom the world around her seems to be opening, exposing doors and windows, visions and sounds, questions and ideas previously unknown. With each passing day, she begins to glimpse something she does not understand but unequivocally craves—the only thing that will bring her relief and keep her new friend alive. (With full-color illustrations throughout.) *Library Journal, starred review THE FAMILIAR continues... The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . .

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3. 3

   The Familiar, Volume 3 Honeysuckle & Pain

   • Mark Z. Danielewski

   • 841 stránok
   • 30 hodin čítania

   4,4(1039)Ohodnotiť

   The exciting and radical literary event continues with Honeysuckle & Pain, the third episode in the multi-volume novel from the universally acclaimed, genre-busting author of House of Leaves.In The Familiar, Volume 3: Honeysuckle & Pain, Xanther, the 12-year-old girl at the center of our story, discovers a new inner strength as the world around her begins to shift inexorably. The hackers Cas and Bobby feel trapped, but are planning a dramatic and dangerous action that may be the key to their freedom. And on the other side of the world, Tian Li’s missing cat is an itch too powerful to resist, and so she and Jingjing set out to recover what has been lost. With the spectacular visuals and vibrant wordplay that are his trademark, this is a beautiful and singular reading experience that could only come from Mark Z. Danielewski—“America’s foremost literary magus” [The New York Times Book Review].

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4. 4

   The Familiar - Hades

   • Mark Z. Danielewski

   • 880 stránok
   • 31 hodin čítania

   Praise for Mark Z. Danielewski's The Familiar highlights its complexity and innovative structure, drawing comparisons to literary giants like Ulysses and Infinite Jest. Critics laud it as a transformative reading experience that rewires the brain, blending graphic design with narrative to create a unique form of storytelling. The work is described as a 'remediation' of influential television series and films, showcasing a time-skipping narrative style reminiscent of David Mitchell. Danielewski's approach combines the best of digital and print mediums, resulting in a tour de force that pushes boundaries in literature. He is recognized as a leading avant-garde writer, merging narrative with visual and typographical experimentation. The text oscillates between loose, imagistic language and tightly layered prose, producing a nuanced reading experience. Critics emphasize its necessity in contemporary literature, calling it a marvel of postmodern storytelling. With its distinctive format and depth, this book is deemed unmissable, offering something entirely unique in the literary landscape.

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5. 5

   The Familiar - Redwood

   • Mark Z. Danielewski

   [The Familiar] is not only [Mark Z. Danielewski's] best book since his acclaimed opera prima, House of Leaves; it's even better, and also more accessible. Conceived as the book version of a long-running TV show, its . . . volumes tell the tale of a smart, fragile and epileptic little girl who finds a cat that may or may not be magical. Their encounter sets off a chain reaction that starts with her immediate family and will probably reach almost every corner of the world. There is no writer in America that resembles Mark Z. Danielewski even remotely. His books are disturbing Freudian fairy-tales, monumental and intimate at the same time, discordantly polyphonic, populated by wise children and lost parents, soldiers and storytellers, magical weapons, sentient houses and familiar spirits. Their words interweave on the page with paintings and knitting and calligrams, creating painfully beautiful objects, almost like printed sculptures. They're also Literature in High Capitals, contemporary counterparts of Bouvard et Pécuchet, Mallarmé and Joyce, heirs to the almost mystical hubris of High Modernism, almost too ambitious for their own good and rabidly opposed to the weightlessness of our times. - Javier Calvo, O

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