The book explores the evolution of country newspapers in Victoria over fifty years, starting with the Geelong Advertiser founded by James Harrison in 1840. It highlights the significant role these publications played in shaping local communities and their growth, culminating in December 1890 when 166 newspapers were operating across 122 towns. Through this historical lens, it sheds light on the impact of journalism in rural Victoria and the development of regional identity during that period.
The Ivory Mirror / Stephen Perkinson -- The Light at the End of the Tunnel : Manuscript Illumination and the Concept of Death / Elizabeth Morrison -- Chicart Bailly and the Specter of Death : Memento Mori in a Sixteenth-Century Estate Inventory / Katherine Baker -- Plates -- List of Plates -- Memento mori Beads : Collecting Histories and Contexts / Naomi Speakman -- The Poetry of Death / Emma Maggie Solberg
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
