John Anthony Dunne Knihy

Introduction to the second edition -- 1. Manifesto -- 2. Placebo -- 3. Conversations.

How design can improve the quality of our everyday lives by engaging the invisible electromagnetic environment in which we live.

In his letter to the Galatians, Paul writes that his Gentile audience should not illegitimately appropriate Jewish customs, especially circumcision. As a way to understand why Paul deems circumcision in this context to be so egregious, being a matter of apostasy rather than simply an adiaphoron, John Anthony Dunne argues that the themes of suffering and persecution point to the coercive nature of the conflict in Galatia. What is at stake for Paul is allegiance to the crucified Christ. Due to the realities inaugurated by the Christ-event and the implications of participating in the Messiah's death and resurrection, suffering for the sake of the cross is to be endured instead of succumbing to the compulsion to be circumcised. Suffering persecution, rather than receiving circumcision, demarcates the true people of God who are set apart in Christ for future blessing and vindication.

The authors of this volume explore various instances of theo-political visions of authoritative texts in Second Temple and Rabbinic Judaism, and Early Christianity, and as such offer a broader perspective on the topos „sacred texts in their context.“ Instead of a narrow exploration of the „political intent“ of a singular text or group of texts, the volume contains the treatment of a wide range of texts, out of different corpora, with their discrete contexts. Their juxtaposition, as well as that of the respective scholarly approaches of the essays, offers fresh insights on the matter. Each of the essays in the collection addresses the issue of oppressive imperial ideology and the extent to which the authors of sacred texts engaged their political contexts, and eight of the essays specifically present reactions to the Roman Empire.

Challenging traditional interpretations, this book explores the story of Esther and Mordecai, presenting them as characters whose indifference to their faith raises questions about the narrative's inclusion in the Bible. It encourages readers to reconsider the story's significance beyond piety, advocating for a fresh understanding of Esther as a secular tale that reveals profound themes of God's grace and faithfulness. The author calls for a reclamation of this narrative, urging Christians to engage with it authentically rather than sanitizing its complexities.

In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better."Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

In Hollywood, screenwriters are a curse to be borne, and beating up on them is an industry blood sport. But in this ferociously funny and accurate account of life on the Hollywood food chain, it's a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale "Up Close and Personal" starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.