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Hilda Hilst

    Hilda Hilst bola brazílska autorka, ktorej diela skúmali krehkú intimitu, šialenstvo a nadprirodzené javy. Jej próza a poézia často spadajú do tradície magického realizmu. Desiatky rokov sa venovala literárnej tvorbe a jej práca získala významné brazílske literárne ocenenia.

    Tu não te moves de ti
    With My Dog-eyes
    Fluxo-Floema
    Letters from a Seducer
    Obscénna pani O
    • Obscénna pani O

      • 85 stránok
      • 3 hodiny čítania
      4,2(254)Ohodnotiť

      Šesťdesiatnička Hillé, alebo Pani O, ako ju volá jej zosnulý manžel, už rok žije sama v kutici pod schodmi, za zatvorenými oknami, len so svojimi myšlienkami. Spomína na detstvo a mladosť, zhovára sa s mŕtvym manželom Ahodom, polemizuje s Bohom a z okna straší susedov hrozivými maskami a odpudzujúcou nahotou.Obscénna pani O vás prinúti spochybniť vlastnú príčetnosť. Toto dielo, napísané ako prúd vedomia ženy na pokraji šialenstva, sa vyznačuje experimentálnym a provokatívnym jazykom a priam bizarnou štruktúrou.

      Obscénna pani O
    • Letters from a Seducer

      • 128 stránok
      • 5 hodin čítania

      The narrative centers on Karl, a wealthy and amoral man who shares his explicit sexual experiences in a series of letters to his chaste sister, Cordelia. These letters blend modernist and Enlightenment styles, creating a provocative exploration of desire and identity. The story shifts when the impoverished poet Stamatius discovers Karl's discarded letters, leading him to craft his own fragmented tales inspired by Karl’s erotic adventures. This interplay blurs the lines between their identities, showcasing a shared obsession with language and seduction.

      Letters from a Seducer
    • Fluxo-Floema

      • 326 stránok
      • 12 hodin čítania
      4,0(16)Ohodnotiť

      A visceral new translation of Hilda Hilst's radical first novel

      Fluxo-Floema
    • Something has changed in Amos Keres, a university mathematics professor - his sentences trail off in class, he is disgusted by the sight of his wife and son, and he longs to flee the comfortable bourgeois life he finds himself a part of. Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it 'the clearcut unhoped-for, ' and it's a vision that will drive him to madness and, eventually, death

      With My Dog-eyes