Rachel Cusk je autorka, ktorej diela sa vyznačujú prenikavým skúmaním osobných a spoločenských tém prostredníctvom inovatívneho rozprávačského štýlu. Jej próza, často inšpirovaná autobiografickými prvkami, sa zaoberá zložitosťou medziľudských vzťahov, identitou a hľadaním zmyslu v modernom svete. Cusk skúma hlboké psychologické stavy svojich postáv a spochybňuje tradičné naratívne formy. Jej jedinečný hlas ponúka čitateľom provokatívny a reflexívny zážitok.
A path-breaking novel of art, womanhood and violence, from the author of the
Outline trilogy. Midway through his life, an artist begins to paint upside
down. In Paris, a woman is attacked by a stranger in the street. A mother
dies.
A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds
NPR's Favorite Books of 2019 Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three “literary masterpieces” (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions. Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.
Druhý diel trilógie, ktorá sa začala románom Obrys, jedna z 10 najlepších kníh roka podľa denníka New York Times. Faye sa po rozvode presťahuje aj s malými synmi do Londýna. Rozpad sa stáva katalyzátorom viacerých zmien a posunov – osobných, morálnych, umeleckých a praktických –, kým sa snaží vytvoriť novú realitu pre seba a svoje deti. V meste sa musí konfrontovať s aspektami života, ktorým sa doposiaľ snažila vyhýbať, a zvažuje otázky zraniteľnosti a moci, skazy a obnovy.
Inteligentná rozprávačka sa ponára hlbšie do tém načrtnutých v románe Obrys a poskytuje prenikavé a dojemné úvahy o detstve a osude, hodnote utrpenia, morálnych problémoch osobnej zodpovednosti a záhady, ktorou je zmena.
JEDNA Z NAJMOCEJŠÍCH A NAJTRVÁLEJŠÍCH GRÉCKYCH TRAGÉDIÍ. Euripidés, spolu so Sofoklom a Aischylom, patrí medzi troch najvýznamnejších gréckych tragédov z klasickej antiky. Jedným z jeho najdôležitejších zachovaných dramat je "Medea", ktorá rozpráva príbeh manželky Jasona z Argonautov, ktorá hľadá pomstu na svojom nevernom manželovi, keď ju opustí pre inú nevestu. Medea sa sústreďuje na mýtus o Jasonovi, vodcovi Argonautov, ktorý získal poklad strážený drakom, Zlaté rúno, s pomocou čarodejnice Medea. Medea, pochádzajúca z božského rodu a neter Circe, mala dar prorockého videnia. Po tom, čo sa vydala za Jasona a porodila mu dve deti, ju Jason opúšťa pre výhodnejšie spojenie, netušiac o hroznej pomste, ktorú plánuje. Príbeh sa odohráva v Korinte, niekedy po Jasonovej výprave za Zlatým rúnom. Medea sa hnevá na manželove plány o sobáši s Glauce, dcérou kráľa Kreona. Jason sa snaží vysvetliť svoje úmysly, ale Medea je nepresvedčená a pokračuje vo svojom pláne krvavej pomsty. Euripidés majstrovsky zobrazuje Medeine motívy, ktoré ju hnali k pomste za urážku a zradou jej manžela, a toto dielo fascinuje divákov už viac ako dvadsať storočí.
Obrys je román v desiatich rozhovoroch. Ide o príbeh spisovateľky, ktorá počas dusivého horúceho leta v Aténach učí na kurze kreatívneho písania. Prednáša o technikách rozprávania, počúva príbehy svojich študentov a študentiek. Po večeroch sa stretáva s inými hosťujúcimi spisovateľmi a spisovateľkami. Pláva v Iónskom mori s mužom, ktorého stretla v lietadle. Ľudia v jej okolí obšírne rozprávajú o sebe: o svojich predstavách, úzkostiach, teóriách, výčitkách a túžbach. Prostredníctvom ich priznaní sa pred nami rysuje portrét rozprávačky, ženy, ktorá sa učí zmieriť sa s veľkou stratou.
In her most personal and relevant book to date, Cusk explores divorce's tremendous impact on the lives of women. This unflinching chronicle of Cusk's own recent separation and the upheaval that followed is also a vivid study of divorce's complex place in our society.
"Originally published in 2009 by Faber and Faber Limited, Great Britain. Published in the United States in 2010 By Farrar, Strauss and Giroux"--Title page verso.
Michael first met the Hanburys of Egypt Hill when he was a young student.
Twelve years later, married with a young son, Michael is invited back to the
house and jumps at the chance of escaping his increasingly turbulent domestic
situation.
Set over the course of a single rainy day, we follow Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, who confronts her own buried femininity in the person of her Italian lodger; Maisie, despairing at the inevitability with which beauty is destroyed; and Christine, whose troubled, hilarious spirit presides over Arlington Park and the way of life it represents. Rachel Cusk's sixth novel is her best yet. Full of compassion and wit, she writes about her characters' domestic lives, their private thoughts and fears with great intelligence and insight.
A young pregnant mother wrestles with an utterly changed life; a new father searches for a sign of the man he used to be; a daughter yearns for a lost childhood; and a mother reaches out in bewilderment to a child she can't fully understand. A rare novel that illuminates "the bustling concourses of life" without sacrificing emotional depth and complexity, The Lucky Ones confirms Rachel Cusk's place among our most incisive writers.
A Life's Work is Rachel Cusk's funny, moving, brutally honest account of her
early experiences of motherhood. An education in babies, books, breast-
feeding, toddler groups, broken nights, bad advice and never being alone, it
is a landmark work, which has provoked acclaim and outrage in equal measure.
A New York Times Notable Book of the Year Stella Benson answers a classified ad for an au pair, arriving in a tiny Sussex village that's home to a family that is slightly larger than life. Her hopes for the Maddens may be high, but her station among them is low and remote. It soon becomes clear that Stella falls short of even the meager specifications her new role requires, most visibly in the area of "aptitude for the country life." But what drove her to leave her home, job, and life in London in the first place? Why has she severed all ties with her parents? Why is she so reluctant to discuss her past? And who, exactly, is Edward? The Country Life is a rich and subtle novel about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises. Rachel Cusk's widely praised novel is a captivating tale of one young woman's adventures in self-discovery.
Ralph Loman's unexceptional life is anchored in regret by a past from which he cannot free himself. One of corporate London's transient typists crosses Ralph's path and her beauty ignites a brief blaze of excitement. When he tries to extricate himself, he is bound in chains of consequence.
Living with her two best friends in London, Agnes feels that life and love seem to go on without her. But then she discovers that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight. Winner of the Whitbread Prize for Best First Novel.