Richard Jefferies bol plodným autorom, ktorého diela sa ponorili do prírodného sveta, vidieckeho života a poľnohospodárstva neskoroviktoriánskeho Anglicka. Jeho písanie však presahuje pouhé pozorovanie, zachytáva estetické a duchovné hĺbky ľudského stretnutia s prírodou, čo sa pre neho stalo takmer posadnutosťou. Okrem svojho realizmu bol aj vizionárom, ktorý skúmal zvláštne futuristické fantázie a mystické koncepty, ktoré rezonujú aj dnes. Jeho schopnosť vyjadriť krásu a pokoj prírodného sveta, od jemných detailov flóry a fauny až po ohromujúcu rozlohu kozmu, zanechala nezmazateľnú stopu v literatúre a inšpirovala budúce generácie autorov svojou jedinečnou citlivosťou a hlbokým vnútorným prebudením.
Spirituální autobiografie anglického esejisty a prozaika se vyznačuje silným zájmem o přírodu, což je důvod, proč bývá srovnávána s texty amerických transcendentalistů. Jefferiesovo vylíčení anglického venkova se svým pojetím blíží idealizované utopii.
Spirituální autobiografie anglického esejisty a prozaika se vyznačuje silným zájmem o přírodu, což je důvod, proč bývá srovnávána s texty amerických transcendentalistů. Jefferiesovo vylíčení anglického venkova se svým pojetím blíží idealizované utopii.
A Classic of Post-Apocalyptic Science Fiction (Hardcover)
Set in a post-apocalyptic London, the narrative explores the aftermath of a devastating event that leaves the city in ruins. The story follows the surviving population as they adapt to a new life in the countryside, forming a primitive society. Themes of survival, resilience, and the struggle to rebuild civilization are central to this sci-fi classic, highlighting the human spirit in the face of disaster.
Some of the most striking passages in The Story of My Heart are descriptions of the controlled chaos of London, which represented for Jefferies the vortex of modern modern human life, a force that is 'driving, pushing, carried on in a stress of feverish force like a bullet'.
This collection of essays showcases the reflections of Richard Jefferies, an influential English nature writer and novelist, posthumously published in 1909. The work is accompanied by a new introductory biography that contextualizes Jefferies' insights within his broader literary contributions. The essays explore themes of nature, humanity, and the interconnectedness of life, highlighting Jefferies' deep appreciation for the natural world and his philosophical musings.
This high-quality reprint preserves the original 1893 edition of the work, offering readers an authentic glimpse into the text as it was first published. The book captures the essence of its time, making it a valuable addition for those interested in historical literature.
Traces the course of a spring which rises on an Iron Age hillfort and gradually broadens into a brook, flows through a nearby village and hamlet, skirts a solitary farmhouse and its orchard, before draining into water meadows and a lake where the wildfowl nest. This book presents the details of this ancient landscape, its people and the habitats.
The narrative explores the connection between deciduous trees and human experiences, highlighting their seasonal cycles of loss and renewal. Unlike evergreens, which remain indifferent to the passage of time, trees like oak, elm, and ash embody the emotions of hope and sorrow through their changing leaves. This reflection on nature serves as a metaphor for the human condition, emphasizing the shared journey of growth and change as the seasons advance.
Whiz! Away it went, bend first, and rose against the wind till the impetus ceased, when it hung a moment on the air, and slid to the right, falling near the summer-house. Next time it turned to the left, and fell in the hedge; another time it hit the hay-rick: nothing could make it go straight. Mark tried his hardest, and used it both ways, but in vain--the boomerang rose against the wind, and, so far, acted properly, but directly the force with which it was thrown was exhausted, it did as it liked, and swept round to the left or the right, and never once returned to their feet.
