John McGahern Knihy

Výbor Zlaté hodinky a jiné povídky představuje to nejlepší z povídkářské tvorby Johna McGaherna (1934–2006), který je již dnes považován za jednoho z klasiků jak irské, tak světové literatury. V mistrných prózách – z nichž česky vyšel hlavně román Mezi ženami (2003) – autor mapuje život v Irsku ve druhé polovině dvacátého století s neúprosnou, až prorockou bystrozrakostí a působivostí, nezřídka říznutou ironií a černým humorem. Jeho povídky se vyznačují obrazivým stylem, který umožňuje vidět svět nově a celistvě. Toto vidění vyrůstá z blízkosti přírodě, vnímavosti k přírodním dějům i duševním hnutím blízkých, z náboženského cítění odpadlíka od katolické církve a z osobní, často intimní zkušenosti člověka toužícího po lásce a pospolitosti, který se však zdráhá zavírat oči před lidskou špatností a mlčky se podvolovat umrtvující společenské konvenci.

Moran is an old Republican whose life was forever transformed by his days of glory as a guerrilla leader in the War of Independence. Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past. 'McGahern brings us that tonic gift of the best fiction, the sense of truth . . . a sight that cleanses us even as it saddens and frightens.' John Updike 'A book that can be read in two hours, but will linger in the mind for decades.' Sunday Telegraph

Kniha sa pred pár rokmi znova vynorila zo zabudnutia a svojím precíznym až nemilosrdným jazykom si získala tisíce čitateľov v mnohých európskych krajinách. William Stoner, chlapec z farmárskej rodiny, na začiatku 20. storočia nastupuje na poľnohospodársku fakultu, ale na povinných prednáškach z anglickej literatúry pre druhý ročník zisťuje, že oveľa viac ako ťažká práca so zemou ho priťahuje práca so slovom. S pomocou mentora, ktorý v ňom prebudil túto vášeň mení odbor štúdia a opúšťa život, ktorý mu bol od narodenia predurčený. Namiesto roboty na farme ho čaká údel akademika. Precízny jazyk Johna Williamsa nemilosrdne opisuje Stonerov život. Nie je plný nevšedných udalostí, výrazných vzostupov a pádov, ale malých životných radostí, ktoré dokázal nájsť aj napriek sérii síce obyčajných, ale neľútostných tragédií. Nevydarené manželstvo spojilo ľudí, ktorí k sebe nikdy nepatrili. Vzťah s dcérou sa odcudzil, pretože sa stala stredobodom manželkiných hier. Neúprosná akademická rivalita, ktorá je namiesto profesionality založená na osobnej nevraživosti. Ľudskosť jeho trápenia je ľahko zrozumiteľná. Aj napriek prekážkam, Stoner pomaly ďalej kráča životom, ako keby sa sklonený predieral proti silnej búrke. Stonerov príbeh je výnimočný práve vďaka jeho zásadovému, stoickému a húževnatému prístupu k životu.

This is the story of John McGahern's childhood; of his mother's death, his father's anger and bafflement, and his own discovery of literature and his ambition to become a writer. Memoir includes McGahern's memories of Dublin in the 1960s, his time as a schoolteacher, and his sacking for writing a banned book (his second novel, The Dark). It ends with his return to live in Leitrim with his wife and the death of his father, difficult to the last.

John McGahern is widely considered to be one of Ireland's greatest writers, with fans including John Updike, Hilary Mantel, Colm Tóibín and John Banville. Often hailed as his greatest work, Amongst Women is a poignant novel of family and togetherness.Once an officer in the Irish War for Independence, Moran is now a widower, eking out a living on a small farm where he raises his two sons and three daughters. Adrift from the structure and security of the military, he keeps control by binding his family close to him. But as his children grow older and seek independence, and as the passing years bring with them bewildering change, Moran struggles to find a balance between love and tyranny. 'A masterpiece . . . It is the sort of book which you can give anyone of any age and know that they will be changed by it.' Colm Tóibín

The Dark , widely acclaimed, yet infamously banned, is John McGahern’s sensitive, perceptive, and beautifully written portrayal of a young man’s coming-of-age in rural Ireland. Imaginative and introverted, the boy is successful in school, but bitterly confused by the guilt-inducing questions he endures from the priests who should be his venerated guides. His relationship with his bullying, bigoted, widowed father is similarly conflicted — touched with both deep love and carefully suppressed hatred. When he must leave home to further his education, their relationship is drawn to an emotional climax that teaches both father and son some of the most intricate truths about manhood.

This novel, McGahern's first, is a tragicomedy centred on a lonely woman who marries into the enclosed Irish village of her upbringing. The children are not hers, her husband is straining to escape the servile security of the police force, and her life seems to be losing all sense of purpose.

The Leavetaking recounts a young couple's struggle to overcome the suffocating influence of the church in order to find happiness in a fulfilling adult love.

Considered by many to be the finest Irish writer now working in prose, John McGahern's That They May Face the Rising Sun vividly brings to life a whole world and its people with insight and humour and deep sympathy. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. By the novel's close we feel that we have been introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere. 'It is a simple and ordinary story, calmly, wryly crafted with subtle detail - and therein lies McGahern's genius. As sharply, brilliantly observed as any he has written . . . McGahern, a supreme chronicler of the ordinary . . . has created a novel that lives and breathes as convincingly as the characters who inhabit it.' Irish Times

The collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)