Tabby McTat is a busker's cat. He loves his life with Fred, singing along as people throw coins in their hat. Then one day, Fred has an accident, and the two are separated. How will they ever find each other again?
Malý slimáčik sa rozhodol precestovať celý svet. Ako to však urobí? No predsa na chvoste veľryby ! Krásne ilustrované leporelo vo veršoch s pohyblivými prvkami.
When George the giant spies a shop full of wonderful clothes, he decides to treat himself to a new outfit. He puts on his new shirt, pants, shoes, and tie, and is immediately transformed from the scruffiest giant in town to the spiffiest giant in town. But on his way home, George runs into various animals who need his help. And little by little, George finds himself giving away all his new purchases.From the creators of Room on the Broom, this is a lively tale that reminds readers that sometimes it's what's inside a person-or a giant-that matters most.
A little girl meets a wolf in the forest on her way to visit her grandmother.
Read and sing along to this story of discovery and friendship. In the tick-tock quiet, a shaft of moonlight tickles the nose of something sleeping. It's a stuffed, stripy horse. He twitches. Then a dusty sneeze echoes round the room. He's awake. So begins this charming story, all about a forgotten toy who can't remember his name. He is befriended by Muriel (a hummingbird who flutters off the pattern on a lamp), Hermann (a daft draught excluder), and Roly and Pitch (penguin-shaped salt and pepper shakers), and embarks on an adventure to meet Ming, a wise and ancient Chinese vase cat, who is the only person in the shop who might be able to tell him who he is. Thrills, spills, and some seriously silly situations await him on his adventure.
Alison Oddey's interviews with prominent performing women, span generations, cultures, perspectives, practice and the best part of the 20th century, telling various stories collectively. Stand ups, classic actresses, film and television personalities, experimental and alternative practitioners discuss why they want to perform, what motivates them, and how their personal history has contributed to their desires to perform. Oddey's critical and analytical introductory essay examines themes of performers' identities, displacement, acting as playing, differences between theatre, film and television performance, attitudes towards and relationships with audiences, and working with women directors. In several interviews the additional challenge of motherhood emerges as an important subtext in the performing lives of these women.