Robert Duncan Knihy

Duncan stál v čele tzv. Sanfanciské renesance a přednášel literaturu na univerzitách. Publikoval v avantgardních časopisech The Experimental Review a Phoenix. Jeho složitá a vrstevnatá poezie v českém výběru pochází ze sbírek Selected Poems (1959), The Opening of the Field (1961) a Roots and Branches (1965).

Exploring the complexities of American identity, this work delves into the historical context of invasions and the intertwined legacies of European colonization and African enslavement. It reflects on the struggles and dreams of a nation grappling with its past, offering a profound commentary on the socio-political landscape. Through evocative language, the author invites readers to confront the realities of America's history and the ongoing impact of these foundational experiences.

Dazzling in its range, exhilarating in its immediacy and grace, a collection that gathers together, from every region of the country and from the past forty years, the poems that continue to shape our imaginations.From Robert Lowell and Elizabeth Bishop, John Ashbery and Adrienne Rich, to Robert Haas and Louise Glück, this anthology takes the full measure of our poetry's daring energies and its tender understandings.Other poets Sylvia PlathJames MerrillAmy clampittJorie GrahamW. S. MerwinCharles SimicAllen GinsbergFrank O'HaraAnne SextonRobert CreeleySharon OldsMary OliverRobert PinskyMark StrandDenise LevertovRichard WilburMay SwensonMichael PalmerMark DotyYusef Komunyakaa

Faust Foutu (Faust Screwed) is a mid-20th-century satire featuring a bourgeois artist grappling with the struggles of his craft. Originally performed by poets and painters in San Francisco in 1955, the work includes the poet's drawings that accompany the text. During the early fifties, painting was at the forefront of artistic innovation, making it fitting for this "screwed" Faust to be a painter. The performance took place at the avant-garde Six Gallery, with a cast of friends, actors, experimental filmmakers, poets, painters, and playwrights. Poet Jack Spicer engaged the audience with a mix of intensity and boyish innocence, while filmmaker Larry Jordan was encouraged to sing Faust's songs loudly and naturally, relying on his untrained voice. Jess Collins, a painter and close friend of Duncan, delivered his lines with clarity and irony. The presentation focused on auditory experience rather than traditional acting, emphasizing the sound of the words. This "comic masque" was first performed in 1955 and published in a small edition in 1960, with the poet's drawings reproduced in this trade edition.

This counter-cultural collection of American verse fits in Robert Lowell's famous definition of the raw in American poetry. Contributors include: Olson; Duncan; Creeley; Guest; Ashbery; Ginsberg; Kerouac; Levertov; O'Hara; Snyder; and Schuyler.