Bookbot

Caspar David Friedrich and the subject of landscape

Hodnotenie knihy

Viac o knihe

Caspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective--one in which, as Freidrich wrote, the painter depicts not "what he sees before him, but what he sees within him." This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic. Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters. "This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject."--"Independent"

Nákup knihy

Caspar David Friedrich and the subject of landscape, Joseph Leo Koerner

Jazyk
Rok vydania
1990
product-detail.submit-box.info.binding
(pevná)
Akonáhle sa objaví, pošleme e-mail.

Platobné metódy

4,6
Výborná
20 Hodnotenie

Tu nám chýba tvoja recenzia

Jazyk
anglicky
Vydavateľ
Reaktion Books
Rok vydania
1990
Väzba
pevná
ISBN10
0948462132
ISBN13
9780948462139
Série
Hodnotenie
4,55 z 5
Anotácia
Caspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective--one in which, as Freidrich wrote, the painter depicts not "what he sees before him, but what he sees within him." This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic. Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters. "This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject."--"Independent"