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Temporary city Berlin: One space. One structure. A set of regulations

Hodnotenie knihy

Parametre

  • 256 stránok
  • 9 hodin čítania

Viac o knihe

In longer introductory essays, the editors Barbara Steiner and Charles Esche explain the development of museums for modern and contemporary art over the past 50 years as public institutions responsible for innovation and education, as well as for reflecting social change. The ten "possible museums" presented are distributed across time and space but share a number of common goals. Each museum aimed to be a catalyst for potential new artistic production and forms of presentation. They have all created opportunities through art for artists and audiences to develop a sense of the contemporary. In selecting the ten "possible museums," the focus was not on visitor numbers but on the effort to transform this attention into a form of critical reflection, or, as Jean Leering casually puts it, "from pleasure to reflection."

Nákup knihy

Temporary city Berlin: One space. One structure. A set of regulations, Andreas Müller

Jazyk
Rok vydania
2010
Akonáhle sa objaví, pošleme e-mail.

Platobné metódy

4,0
Veľmi dobrá
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Titul
Temporary city Berlin: One space. One structure. A set of regulations
Jazyk
anglicky
Vydavateľ
Revolver Publ.
Rok vydania
2010
Počet strán
256
ISBN10
3868590595
ISBN13
9783868590593
Série
Hodnotenie
4 z 5
Anotácia
In longer introductory essays, the editors Barbara Steiner and Charles Esche explain the development of museums for modern and contemporary art over the past 50 years as public institutions responsible for innovation and education, as well as for reflecting social change. The ten "possible museums" presented are distributed across time and space but share a number of common goals. Each museum aimed to be a catalyst for potential new artistic production and forms of presentation. They have all created opportunities through art for artists and audiences to develop a sense of the contemporary. In selecting the ten "possible museums," the focus was not on visitor numbers but on the effort to transform this attention into a form of critical reflection, or, as Jean Leering casually puts it, "from pleasure to reflection."