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101 Things to Learn in Art School

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What is the first lesson in art school? "Art can be anything." The second? "Learn to draw." In "101 Things to Learn in Art School," artist and teacher Kit White presents these lessons, balancing technical advice with insightful concepts. This collection of 101 maxims, meditations, and demonstrations serves as both a toolkit for art students and guiding principles for artists. Each of the succinct texts is paired with an expressive drawing, often inspired by historical or contemporary art, providing a visual counterpart to the written ideas. For instance, "Art can be anything" is illustrated by Duchamp's iconic urinal, while a description of chiaroscuro is complemented by an image "after Caravaggio." Lessons on time and media feature a Jenny Holzer projection, and advice on surviving critiques resonates with Piero della Francesca's arrow-pierced Saint Sebastian. This book addresses the challenges artists face across various media, transcending a simple handbook for making art. It offers a deeper understanding of art as a reflection of our world and as a medium for thought. Thus, it is essential reading for art students, teachers, and artists, as well as anyone who values art as a means of understanding life.

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101 Things to Learn in Art School, Kit White

Jazyk
Rok vydania
2011
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3,8
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463 Hodnotenie

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Titul
101 Things to Learn in Art School
Jazyk
anglicky
Autori
Kit White
Vydavateľ
Mit Press
Rok vydania
2011
Väzba
pevná
Počet strán
150
ISBN10
0262016214
ISBN13
9780262016216
Série
Hodnotenie
3,8 z 5
Anotácia
What is the first lesson in art school? "Art can be anything." The second? "Learn to draw." In "101 Things to Learn in Art School," artist and teacher Kit White presents these lessons, balancing technical advice with insightful concepts. This collection of 101 maxims, meditations, and demonstrations serves as both a toolkit for art students and guiding principles for artists. Each of the succinct texts is paired with an expressive drawing, often inspired by historical or contemporary art, providing a visual counterpart to the written ideas. For instance, "Art can be anything" is illustrated by Duchamp's iconic urinal, while a description of chiaroscuro is complemented by an image "after Caravaggio." Lessons on time and media feature a Jenny Holzer projection, and advice on surviving critiques resonates with Piero della Francesca's arrow-pierced Saint Sebastian. This book addresses the challenges artists face across various media, transcending a simple handbook for making art. It offers a deeper understanding of art as a reflection of our world and as a medium for thought. Thus, it is essential reading for art students, teachers, and artists, as well as anyone who values art as a means of understanding life.