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Ludwig Wittgenstein. Fotografie als analytische Praxis

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  • 304 stránok
  • 11 hodin čítania

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The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.

Nákup knihy

Ludwig Wittgenstein. Fotografie als analytische Praxis, Verena Gamper

Jazyk
Rok vydania
2021
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Titul
Ludwig Wittgenstein. Fotografie als analytische Praxis
Jazyk
anglicky, nemecky
Vydavateľ
König, Walther
Rok vydania
2021
Väzba
pevná
Počet strán
304
ISBN10
3753300497
ISBN13
9783753300498
Série
Anotácia
The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.