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Johannesburg. Insel aus Zufall

Hodnotenie knihy

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  • 269 stránok
  • 10 hodin čítania

Viac o knihe

This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City . Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).

Nákup knihy

Johannesburg. Insel aus Zufall, Thomas Bruckner, Ivan Vladislavić

Jazyk
Rok vydania
2008
Väzba
(pevná),
Stav knihy
Dobrá
Cena
3,19 €

Platobné metódy

3,9
Veľmi dobrá
363 Hodnotenie

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Jazyk
nemecky
Rok vydania
2008
Väzba
pevná
Počet strán
269
ISBN10
3927743992
ISBN13
9783927743991
Série
Hodnotenie
3,9 z 5
Anotácia
This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City . Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).