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Parametre
- 339 stránok
- 12 hodin čítania
Viac o knihe
Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.
Nákup knihy
Edward Said, Abdirahman A. Hussein
- Jazyk
- Rok vydania
- 2004
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- Stav knihy
- Poškodená
- Cena
- 9,43 €
Platobné metódy
Nikto zatiaľ neohodnotil.
- Titul
- Edward Said
- Podtitul
- Criticism and Society
- Jazyk
- anglicky
- Autori
- Abdirahman A. Hussein
- Vydavateľ
- Verso
- Rok vydania
- 2004
- Väzba
- mäkká
- Počet strán
- 339
- ISBN10
- 1859843905
- ISBN13
- 9781859843901
- Série
- Štítky
- Historické téma, Životopisy, Historické romány, Psychologická tematika, Filozofická tematika, Umenie, Hudobná tematika, Filozofia, Klasika, Spiritualita, Politika, Autobiografie & Pamäti, Ekonómia, USA, Vojny, 20. storočie, Biografia, Publicistika & Eseje, Spoločnosť, Anglicko, Spomienky, Feminizmus, Jóga, Buddhizmus, Literárna kritika, Svetová história, Písanie, Inšpirácia, 21. storočie, Okultizmus, Romantizmus, Marxizmus, Revolúcia, Osvietenstvo, Exil, Ruské dejiny, Literárna teória
- Anotácia
- Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.