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Popular Fictions Series: The Monstrous-Feminine

Film, Feminism, Psychoanalysis

Parametre

  • 216 stránok
  • 8 hodin čítania

Viac o knihe

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

Nákup knihy

Popular Fictions Series: The Monstrous-Feminine, Barbara Creed

Jazyk
Rok vydania
1993
Väzba
(mäkká),
Stav knihy
Dobrá
Cena
26,99 €

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Titul
Popular Fictions Series: The Monstrous-Feminine
Podtitul
Film, Feminism, Psychoanalysis
Jazyk
anglicky
Vydavateľ
Routledge
Rok vydania
1993
Väzba
mäkká
Počet strán
216
ISBN10
0415052599
ISBN13
9780415052597
Série
Anotácia
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.