Constance Garnett Poradie kníh (chronologicky)

A collection of one novella and six short stories - The Gambler, Bobok, The Dream of a Ridiculous Man, A Christmas Party and a Wedding, A Nasty Story and The Meek One.

Autor patrí k vrcholným predstaviteľom ruskej i svetovej realistickej literatúry. Vo svojich dielach venoval najviac pozornosti mestskému životu a jeho obyvateľom. Jeho "ponížení a urazení" sú zle platení úradníci, vyslúžilci, študenti, rodiny skrývajúce úzkostlivo svoju biedu a často závislosť od úžerníkov.

Fyodor Dostoyevsky was born on November 11, 1821, and was introduced to literature early in life, with his mother teaching him to read and write using the Bible. His literary immersion was profound, fueled by his parents' nightly readings. Tragedy struck in 1837 when his mother died of tuberculosis, and he and his brother were enrolled at the Nikolayev Military Engineering Institute, where Dostoyevsky found little interest in military studies, preferring drawing and architecture. His father's death in 1839 may have triggered his epilepsy, yet he persevered, eventually becoming an engineer cadet. His first completed work, a translation of Balzac's "Eugénie Grandet," was published in 1843 but failed commercially. He then wrote "Poor Folk," which was a success, followed by "The Double," which received poor reviews and exacerbated his health issues. Involved in socialist circles, Dostoyevsky faced arrest in 1849 for distributing banned works, leading to a death sentence commuted to four years of hard labor in Siberia. His prison experiences inspired "The House of the Dead," published in 1861. He later completed "The Gambler" in just 26 days. Despite continued health decline, including a diagnosis of pulmonary emphysema, he published "Demons" in 1873. Dostoyevsky died on February 9, 1881, after suffering multiple pulmonary hemorrhages.

Brand-new translation of one of Turgenevs major novels, includes pictures and an extensive section on Turgenevs life and works.

Presented here in a masterful new translation by Michael Pursglove, this landmark collection established the literary reputation of the author, who considered it his most significant contribution to Russian literature, and is universally regarded as a milestone in the Russian realist tradition.

The novel explores the tumultuous relationship between 19-year-old Arkady Dolgoruky and his father, the notorious landowner Versilov, as Arkady returns to St. Petersburg after years at boarding school. As he navigates the complexities of his family's scandalous affairs, the story delves into deep psychological, emotional, and moral conflicts, reflecting the intricacies of the human condition. Dostoyevsky's rich characterizations and themes make this work a significant contribution to literature, showcasing the author's profound understanding of human nature.

A rich and idle man confronts his dead mistress's husband in this psychological novel of duality. Powerful and accessible, it offers a captivating and revealing exploration of love, guilt, and hatred.

Už vyše sto rokov neutíchajú spory o tom, ktorý z románov F.M. Dostojevského je najlepší. Jedni tvrdia, že prvý – Chudobní ľudia, – pretože znamenal novú kvalitu v ruskej literatúre (podľa Belinského to bol prvý ruský sociálny román); iní sa nazdávajú, že Zápisky z mŕtveho domu, pretože sú v nich všetky základné myšlienky a problémy Dostojevského tvorby posibírskeho obdobia; tretí zaň označujú Zločin a trest, pretože znamená novú kvalitu v spisovateľovej tvorbe (prechod od dialogického románu k polyfonickému) a je aj skladobne najucelenejší; štvrtí dokazujú, že Diablom posadnutí, pretože prináša jeho najhlbšie rozvažovanie o človeku a svete a piati vyzdvihujú práve Bratov Karamazovovcov, pretože je to posledný román, v ktorom sa ako v oceáne zlievajú všetky témy predchádzajúcich autorových veľtokových románov. Tak ako každý z Dostojevského románov, predstavujú aj Bratia Karamazovovci neopakovateľnú myšlienkovú a umeleckú kvalitu, takže z hľadiska jeho stúpencov môže byť najlepší. Ide o to, že tak ako celé jeho dielo, predstavuje ďalší, iný, nový pokus myšlienkovo a umelecky preniknúť k „človeku ako k tajomstvu, ktoré treba odhaliť.“ Tak totiž svoje autorské vyznanie, svoj program, charakterizoval ešte na začiatku spisovateľskej dráhy on sám. Za toto odhaľovanie ľudského tajomstva platil tým najcennejším – zdravím a životom.