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The vampire Armand

Hodnotenie knihy

Parametre

  • 520 stránok
  • 19 hodin čítania

Viac o knihe

The Previous Volume Of The Vampire Chronicles, Memnoch The Devil, Was Called 'A Modern Paradise Lost' By The Washington Post. Taking The Vampire Lestat From Fiction Into Legend, It Left Him Lying In A New Orleans Convent, At The Edge Of Death. Magnificent And Electrifying, This New Volume In The Vampire Chronicles Returns To The Glittering Story Of Armand, Mesmerizing Leader Of The Vampire Coven At The Eighteenth-Century Theatre Des Vampires In Paris (Seductively Played By Antonio Banderas In The Film Of Interview With The Vampire). Snatched From The Steppes Of Russia As A Child, And Sold As A Slave In Renaissance Venice, Armand'S Story Sweeps Through Several Hundred Years, To New Orleans At The End Of The Twentieth Century, Where Lestat Lies Waiting For Immortality, And The Legend Continues To Grow. . . . .

Nákup knihy

The vampire Armand, Anne Riceová

Jazyk
Rok vydania
1999
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Platobné metódy

3,8
Veľmi dobrá
67080 Hodnotenie

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Jazyk
anglicky
Vydavateľ
Arrow
Rok vydania
1999
Väzba
mäkká
Počet strán
520
ISBN10
0099271478
ISBN13
9780099271475
Prvé vydanie
1998
Pôvodný názov
The Vampire Armand
Hodnotenie
3,8 z 5
Anotácia
The Previous Volume Of The Vampire Chronicles, Memnoch The Devil, Was Called 'A Modern Paradise Lost' By The Washington Post. Taking The Vampire Lestat From Fiction Into Legend, It Left Him Lying In A New Orleans Convent, At The Edge Of Death. Magnificent And Electrifying, This New Volume In The Vampire Chronicles Returns To The Glittering Story Of Armand, Mesmerizing Leader Of The Vampire Coven At The Eighteenth-Century Theatre Des Vampires In Paris (Seductively Played By Antonio Banderas In The Film Of Interview With The Vampire). Snatched From The Steppes Of Russia As A Child, And Sold As A Slave In Renaissance Venice, Armand'S Story Sweeps Through Several Hundred Years, To New Orleans At The End Of The Twentieth Century, Where Lestat Lies Waiting For Immortality, And The Legend Continues To Grow. . . . .