Bookbot

Doctor Faustus

Hodnotenie knihy

Parametre

  • 496 stránok
  • 18 hodin čítania

Viac o knihe

Thomas Mann's last great novel, first published in 1947 and now rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul - and the ability to love his fellow man. Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and its nihilism. It is also Mann's most profound meditation on the German genius - both national and individual - and the terrible responsibilities of the truly great artist.

Nákup knihy

Doctor Faustus, Thomas Mann, H. T. Lowe Porter

Jazyk
Rok vydania
1985
product-detail.submit-box.info.binding
(mäkká),
Stav knihy
Poškodená
Cena
7,28 €

Platobné metódy

4,1
Veľmi dobrá
9918 Hodnotenie

Tu nám chýba tvoja recenzia

Jazyk
anglicky
Vydavateľ
Penguin Group
Rok vydania
1985
Väzba
mäkká
Počet strán
496
ISBN10
0140027238
ISBN13
9780140027235
Série
Prvé vydanie
1947
Pôvodný názov
Doktor Faustus
Hodnotenie
4,05 z 5
Anotácia
Thomas Mann's last great novel, first published in 1947 and now rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul - and the ability to love his fellow man. Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and its nihilism. It is also Mann's most profound meditation on the German genius - both national and individual - and the terrible responsibilities of the truly great artist.