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Human Acts

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Compulsively readable and deeply resonant, this novel lacerates, haunts, dreams, and mourns, striking a balance between beauty and urgency. It uniquely captures the intensity of brutality, detailing a bloody history that was deliberately forgotten. The narrative speaks the unspeakable, revealing the long wake of killings through the testimonies of both survivors and the deceased, blending gorily real scenarios with beautifully surreal elements. The prose, translated by Deborah Smith, is spare yet dreamy, filled with haunting imagery that compels readers to confront the horrors of the Gwangju uprising. Han Kang's ambition parallels Milton's struggle, aiming to reconcile humanity with itself through an engrossing, relentless portrait of death and agony. The novel is not just a record of suffering during a contentious period in Korean history but also a testament to the willingness to risk discomfort for a cause. Kang excels in unflinching descriptions of death, creating a vivid portrayal of physical decay that is both admirable and challenging. Her storytelling brings historical struggles into the intimate realm of individual experience, exploring the trauma of political brutality with emotional truth. This jarring depiction of the Gwangju demonstrations raises profound questions about humanity, making it a gripping read. With her previous work awarded the Man Booker International Prize, this follow-up is poised to attract signi

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Human Acts, Han Kang

Jazyk
Rok vydania
2017
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Platobné metódy

4,3
Veľmi dobrá
27599 Hodnotenie

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Jazyk
anglicky
Autori
Han Kang
Vydavateľ
Random House US
Rok vydania
2017
Väzba
mäkká
Počet strán
240
ISBN10
110190674X
ISBN13
9781101906743
Série
Prvé vydanie
2014
Pôvodný názov
소년이 온다 (Sonjoni onda)
Hodnotenie
4,25 z 5
Anotácia
Compulsively readable and deeply resonant, this novel lacerates, haunts, dreams, and mourns, striking a balance between beauty and urgency. It uniquely captures the intensity of brutality, detailing a bloody history that was deliberately forgotten. The narrative speaks the unspeakable, revealing the long wake of killings through the testimonies of both survivors and the deceased, blending gorily real scenarios with beautifully surreal elements. The prose, translated by Deborah Smith, is spare yet dreamy, filled with haunting imagery that compels readers to confront the horrors of the Gwangju uprising. Han Kang's ambition parallels Milton's struggle, aiming to reconcile humanity with itself through an engrossing, relentless portrait of death and agony. The novel is not just a record of suffering during a contentious period in Korean history but also a testament to the willingness to risk discomfort for a cause. Kang excels in unflinching descriptions of death, creating a vivid portrayal of physical decay that is both admirable and challenging. Her storytelling brings historical struggles into the intimate realm of individual experience, exploring the trauma of political brutality with emotional truth. This jarring depiction of the Gwangju demonstrations raises profound questions about humanity, making it a gripping read. With her previous work awarded the Man Booker International Prize, this follow-up is poised to attract signi