Super, som rada, že ju mám. Je tu veľa fotografii. Môj najoblúbenejší maliar
Miláčik čitateľov je práve vypredaný
Parametre
- 96 stránok
- 4 hodiny čítania
Viac o knihe
This volume contains a survey of the works by Russian-born American painter Mark Rothko (1903-1970). Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as a consummated experience between picture and onlooker. His color formations indeed draw the observer into a space filled with an inner light. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension
Nákup knihy
Mark Rothko : 1903-1970 : pictures as drama, Jacob Baal Teshuva, Mark Rothko
- Jazyk
- Rok vydania
- 2009
- product-detail.submit-box.info.binding
- (pevná)
Akonáhle sa objaví, pošleme e-mail.
Platobné metódy
- Jazyk
- anglicky
- Autori
- Jacob Baal Teshuva, Mark Rothko
- Vydavateľ
- Taschen
- Rok vydania
- 2009
- Väzba
- pevná
- Počet strán
- 96
- ISBN10
- 3836512831
- ISBN13
- 9783836512831
- Série
- Štítky
- Náučná literatúra, Umenie & Kultúra, Skutočné príbehy, Životopisy, Umenie, Príručky a návody, Design, Teória & Dejiny umenia, Dejiny umenia, Amerika
- Hodnotenie
- 4,15 z 5
- Anotácia
- This volume contains a survey of the works by Russian-born American painter Mark Rothko (1903-1970). Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as a consummated experience between picture and onlooker. His color formations indeed draw the observer into a space filled with an inner light. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension