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The Captive Mind

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The Captive Mind begins with a discussion of the novel Insatiability by Stanisław Ignacy Witkiewicz and its plot device of Murti-Bing pills, which are used as a metaphor for dialectical materialism, but also for the deadening of the intellect caused by consumerism in Western society. The second chapter considers the way in which the West was seen at the time by residents of Central and Eastern Europe, while the third outlines the practice of Ketman, the act of paying lip service to authority while concealing personal opposition, describing seven forms applied in the people's democracies of mid-20th century Europe.The four chapters at the heart of the book then follow, each a portrayal of a gifted Polish man who capitulated, in some fashion, to the demands of the Communist state. They are identified only as Alpha, the Moralist; Beta, The Disappointed Lover; Gamma, the Slave of History; and Delta, the Troubadour. However, each of the four portraits were easily identifiable: Alpha is Jerzy Andrzejewski, Beta is Tadeusz Borowski, Gamma is Jerzy Putrament and Delta is Konstanty Ildefons Gałczyński.The book moves toward its climax with an elaboration of "enslavement through consciousness" in the penultimate chapter and closes with a pained and personal assessment of the fate of the Baltic nations in particular.

Nákup knihy

The Captive Mind, Czesław Miłosz

Jazyk
Rok vydania
1990
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Platobné metódy

4,3
Veľmi dobrá
3082 Hodnotenie

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Jazyk
anglicky
Vydavateľ
Vintage
Rok vydania
1990
Väzba
mäkká
Počet strán
272
ISBN10
0679728562
ISBN13
9780679728566
Série
Prvé vydanie
1953
Pôvodný názov
Zniewolony umysł
Hodnotenie
4,3 z 5
Anotácia
The Captive Mind begins with a discussion of the novel Insatiability by Stanisław Ignacy Witkiewicz and its plot device of Murti-Bing pills, which are used as a metaphor for dialectical materialism, but also for the deadening of the intellect caused by consumerism in Western society. The second chapter considers the way in which the West was seen at the time by residents of Central and Eastern Europe, while the third outlines the practice of Ketman, the act of paying lip service to authority while concealing personal opposition, describing seven forms applied in the people's democracies of mid-20th century Europe.The four chapters at the heart of the book then follow, each a portrayal of a gifted Polish man who capitulated, in some fashion, to the demands of the Communist state. They are identified only as Alpha, the Moralist; Beta, The Disappointed Lover; Gamma, the Slave of History; and Delta, the Troubadour. However, each of the four portraits were easily identifiable: Alpha is Jerzy Andrzejewski, Beta is Tadeusz Borowski, Gamma is Jerzy Putrament and Delta is Konstanty Ildefons Gałczyński.The book moves toward its climax with an elaboration of "enslavement through consciousness" in the penultimate chapter and closes with a pained and personal assessment of the fate of the Baltic nations in particular.