
Viac o knihe
Joseph Hone's The Paris Trap, first published in 1977, saw him step aside from his sequence of 'Peter Marlow' novels to offer a different kind of political thriller. Jim Hackett and Harry Tyson first met in Paris, in days of hope - Hackett a promising actor, Tyson a budding writer. Twenty years later, their dreams soured, they are reunited in Paris for a substantive project: Hackett, now a movie actor, has been cast in a major film derived from a spy novel authored by Tyson, who now works for British intelligence. But the plot of the film, concerning a Palestinian terrorist cell, is about to be overtaken in the dramatic stakes by real events. 'A fine example of a vastly popular genre - the thinking man's thriller.' Irish Times 'Through a distorting filter of betrayals, private and public, Joseph Hone conducts us to a final scene so dire that Hamlet by comparison leaves the stage tidy.' Guardian
Nákup knihy
The Paris Trap, Joseph Hone
- Jazyk
- Rok vydania
- 2014
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- (mäkká)
Platobné metódy
Nikto zatiaľ neohodnotil.
- Titul
- The Paris Trap
- Jazyk
- anglicky
- Autori
- Joseph Hone
- Vydavateľ
- Faber and Faber ltd.
- Rok vydania
- 2014
- Väzba
- mäkká
- Počet strán
- 266
- ISBN13
- 9780571314911
- Série
- Štítky
- Beletria
- Anotácia
- Joseph Hone's The Paris Trap, first published in 1977, saw him step aside from his sequence of 'Peter Marlow' novels to offer a different kind of political thriller. Jim Hackett and Harry Tyson first met in Paris, in days of hope - Hackett a promising actor, Tyson a budding writer. Twenty years later, their dreams soured, they are reunited in Paris for a substantive project: Hackett, now a movie actor, has been cast in a major film derived from a spy novel authored by Tyson, who now works for British intelligence. But the plot of the film, concerning a Palestinian terrorist cell, is about to be overtaken in the dramatic stakes by real events. 'A fine example of a vastly popular genre - the thinking man's thriller.' Irish Times 'Through a distorting filter of betrayals, private and public, Joseph Hone conducts us to a final scene so dire that Hamlet by comparison leaves the stage tidy.' Guardian