Parametre
- 264 stránok
- 10 hodin čítania
Viac o knihe
For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.
Nákup knihy
Joachim Brohm, Regina Bittner, Joachim Brohm, Oliver Kossack, Urs Stahel
- Jazyk
- Rok vydania
- 2003
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- (pevná)
Platobné metódy
Nikto zatiaľ neohodnotil.
- Titul
- Joachim Brohm
- Podtitul
- Areal
- Jazyk
- anglicky
- Vydavateľ
- Steidl
- Rok vydania
- 2003
- Väzba
- pevná
- Počet strán
- 264
- ISBN10
- 3882438789
- ISBN13
- 9783882438789
- Série
- Štítky
- Náučná literatúra, Umenie & Kultúra, Fotografovanie, Ekologická tematika, História všedného dňa, Pozorovanie prírody, Urbanizmus, urbanizácia
- Anotácia
- For roughly a decade, from 1992 to 2002, Joachim Brohm undertook a photographic project of long-term urban observation. At the same location on the outskirts of a German city, he took hundreds of pictures of redevelopment, recording the place as it was transformed from a 1950s commercial/industrial district into a gentrified post-industrial services center and living area. In a meditative response to these changes, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the developments during this period. Brohm's pictorial idiom--characterized by a dissolved center, with layering and composition referencing the continuation of space beyond the frame's limits--is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.


