Viac o knihe
Augie comes on stage with one of literature’s most famous opening lines. “I am an American, Chicago born, and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted.” It’s the “Call me Ishmael” of mid-20th-century American fiction. (For the record, Bellow was born in Canada.) Or it would be if Ishmael had been more like Tom Jones with a philosophical disposition. With this teeming book Bellow returned a Dickensian richness to the American novel. As he makes his way to a full brimming consciousness of himself, Augie careens himself through numberless occupations, and countless mentors and exemplars, all the while enchanting us with the slapdash American music of his voice.
Nákup knihy
De avonturen van Augie March, Saul Bellow
- Jazyk
- Rok vydania
- 1979
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- (mäkká),
- Stav knihy
- Poškodená
- Cena
- 17,57 €
Platobné metódy
Tu nám chýba tvoja recenzia
- Jazyk
- holandsky
- Autori
- Saul Bellow
- Vydavateľ
- Agathon
- Rok vydania
- 1979
- Väzba
- mäkká
- Počet strán
- 558
- ISBN10
- 9026957947
- ISBN13
- 9789026957949
- Série
- Štítky
- Beletria, Historické téma, Cestovanie, Dobrodružstvo, Láska, Rodina, Klasika, USA, Vzťahy, Americká literatúra, 20. storočie, Spoločnosť, Manželstvo, Detstvo, Zamestnanie, Nobelova cena, Chudoba, Mindfulness, Skandály a aféry, Chicago, Hazard, Morálne hodnoty
- Prvé vydanie
- 1987
- Pôvodný názov
- More Die of Heartbreak
- Hodnotenie
- 3,85 z 5
- Anotácia
- Augie comes on stage with one of literature’s most famous opening lines. “I am an American, Chicago born, and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted.” It’s the “Call me Ishmael” of mid-20th-century American fiction. (For the record, Bellow was born in Canada.) Or it would be if Ishmael had been more like Tom Jones with a philosophical disposition. With this teeming book Bellow returned a Dickensian richness to the American novel. As he makes his way to a full brimming consciousness of himself, Augie careens himself through numberless occupations, and countless mentors and exemplars, all the while enchanting us with the slapdash American music of his voice.